Making the Case for the Restitution of Illicitly Acquired Cultural Objects under the Rules of Jus Cogens

Q2 Arts and Humanities Santander Art and Culture Law Review Pub Date : 2023-12-13 DOI:10.4467/2450050xsnr.23.026.18646
A. Adewumi, Victor O. Adenekan
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Abstract

Over the years, our perspective on cultural heritage has undergone changes. The field has become more diverse, requiring solution-focused approaches to address the underlying problems associated with cultural heritage. One significant challenge is the issue of restitution, which is considered a major failure of international cultural heritage law. How can international cultural heritage law completely heal historical wounds instead of merely offering empty hopes to those who have suffered? Simply acknowledging past wrongs by offending states is insufficient, and it does not align with the fundamental legal principle that where there is a wrong, there should be a remedy (ubi jus ibi remedium). Despite the considerable growth in the jurisprudence of international cultural heritage law, there remains a pressing need to consolidate the legal framework to facilitate the restitution of stolen or looted cultural objects. This article argues that the prohibition of plunder and pillage of cultural property constitutes a jus cogens rule of international law. Its violation therefore gives rise to an unconditional obligation to restitute such property.
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根据强制法规则提出归还非法获得的文物的理由
多年来,我们对文化遗产的看法发生了变化。该领域已变得更加多样化,需要以解决方案为重点的方法来解决与文化遗产相关的根本问题。其中一个重大挑战是归还问题,这被认为是国际文化遗产法的一大败笔。国际文化遗产法如何才能彻底治愈历史创伤,而不仅仅是给那些受难者带来空洞的希望?仅仅承认违法国家过去的错误是不够的,也不符合 "有错必纠"(ubi jus ibi remedium)这一基本法律原则。尽管国际文化遗产法的判例有了长足的发展,但仍迫切需要巩固法律框架,以促进被盗或被掠夺文物的归还。本文认为,禁止掠夺和抢劫文化财产是国际法的强制法规则。因此,违反这一规则就产生了归还此类财产的无条件义务。
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Santander Art and Culture Law Review
Santander Art and Culture Law Review Arts and Humanities-Visual Arts and Performing Arts
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