Violence and criminality: two modalities found in the context of the Colombian armed conflict

IF 0.5 4区 艺术学 0 MUSIC Tempo Pub Date : 2023-12-01 DOI:10.1590/tem-1980-542x2023v290311
Yennesit Palacios Valencia, Ignacio García Marín
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Abstract

Abstract: Colombia is among the countries with the highest levels of violence and crime in the world, despite the peace agreements between the State and different armed groups, including the FARC. This is partly due to the fact that the Colombian case is complex and multifaceted because of the variety of participants in the armed conflict context and due to the mutation of new actors, under the modality of organized crime. Based on the above, the objective is to study the Colombian reality, contextually and diachronically, from theoretical and epistemological elements to demonstrate how violence and criminality factors intersect in the context of the armed conflict. The study concludes, among other findings, that in Colombia the ambiguity and the multiplicity of terms used to name the emerging criminal groups presents a legal problem because of their hybrid composition and regarding their treatment within or outside of the armed conflict.
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暴力与犯罪:哥伦比亚武装冲突背景下的两种模式
摘要:哥伦比亚是世界上暴力和犯罪率最高的国家之一,尽管国家与包括哥伦比亚革命武装力量在内的不同武装团体之间达成了和平协议。这部分是由于哥伦比亚的情况是复杂和多方面的,因为武装冲突背景下的参与者多种多样,而且在有组织犯罪的模式下,新的参与者也在不断变化。基于上述情况,本研究的目的是从理论和认识论的角度对哥伦比亚的现实情况进行背景和非同步研究,以说明暴力和犯罪因素是如何在武装冲突的背景下相互交织的。除其他结论外,本研究还得出结论认为,在哥伦比亚,用于命名新出现的犯罪团伙的术语模棱两可、五花八门,这给法律带来了问题,因为这些犯罪团伙是混合组成的,而且在武装冲突之内或之外都会受到处理。
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来源期刊
Tempo
Tempo MUSIC-
CiteScore
0.30
自引率
0.00%
发文量
91
审稿时长
19 weeks
期刊介绍: Tempo is the premier English-language journal devoted to twentieth-century and contemporary concert music. Literate and scholarly articles, often illustrated with music examples, explore many aspects of the work of composers throughout the world. Written in an accessible style, approaches range from the narrative to the strictly analytical. Tempo frequently ventures outside the acknowledged canon to reflect the diversity of the modern music scene. Issues feature interviews with leading composers, a tabulated news section, and lively and wide-ranging reviews of recent recordings, books and first performances around the world. Selected issues also contain specially-commissioned music supplements.
期刊最新文献
‘I AM A TEXTURAL COMPOSER’: JANE STANLEY ON THE CREATIVE PROCESS, IMMERSIVE TEXTURES, GLOW AND A NEW SONG CYCLE THINKING ALOUD: THE SOLILOQUY CYCLE MOVEMENTS OF A MUSICIAN WORKING: PHILL NIBLOCK (1933–2024) PROPORTION AND SYMMETRY AS MUTUAL ANTAGONISTS IN TUNING: SOME QUARTER-TONE RESOURCES HABITUS, RESISTANCE AND THE PRODUCTION OF MUSICAL MEANING
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