Aesthetic emotional reactions and their verbal expression in a corpus of Japanese travellers’ online reviews

IF 1.1 3区 心理学 0 LANGUAGE & LINGUISTICS Language and Cognition Pub Date : 2023-12-22 DOI:10.1017/langcog.2023.60
Javier E. Díaz-Vera
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Abstract

Using Conceptual Metaphor Theory, I propose a study of aesthetic emotional expressions in Japanese. With this aim, I have created a medium-sized corpus (c100,000 running words) of travellers’ reviews in Japanese published on TripAdvisor between 2012 and 2022. The corpus consists of 1,100 reviews, grouped into three subsections, corresponding to three of the most visited landmarks in Japan (namely, Mount Fuji, Fushimi Inari-Taisha Shrine, and the Hiroshima Atomic Bomb Dome). The reviews chosen for this research include at least one reference, either literal or figurative, to the users’ aesthetic evaluation of their visit. My list of aesthetic emotions consists of four large categories: emotions of pleasure (e.g., attraction, fluency), emotions of contemplation (e.g., interest, intrigue), emotions of amazement (e.g., awe, wonder), and emotions of respect (e.g., admiration, adoration). For each aesthetic emotion, I have identified a series of source domains, which I analyse in detail in my discussion. As my data shows, many of our aesthetic expressions are rooted in the psychological and behavioural changes triggered by these emotions and, therefore, should be considered embodied. More importantly, through the analysis of the conceptual mappings involved in these linguistic expressions, it can be affirmed that aesthetic reactions are sensitive to cultural influences and, thus, they are not necessarily universal.
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日本旅行者在线评论语料库中的审美情绪反应及其语言表达
运用概念隐喻理论,我提出了一项关于日语审美情感表达的研究。为此,我创建了一个中等规模的语料库(约 100,000 个流水词),收录了 TripAdvisor 在 2012 年至 2022 年间发布的旅行者日语评论。该语料库由 1100 条评论组成,分为三个子部分,分别对应日本三个游客最多的地标性建筑(即富士山、伏见稻荷大社和广岛原子弹爆炸圆顶建筑)。本研究选择的评论中至少有一处提到了用户对其游览的审美评价,无论是文字上的还是形象上的。我列出的审美情感包括四大类:愉悦情感(如吸引、流畅)、沉思情感(如兴趣、好奇)、惊奇情感(如敬畏、惊叹)和尊敬情感(如钦佩、崇拜)。对于每一种审美情感,我都确定了一系列源域,并在讨论中进行了详细分析。正如我的数据所显示的那样,我们的许多审美表达都植根于这些情感所引发的心理和行为变化,因此,应被视为体现性的。更重要的是,通过对这些语言表达所涉及的概念映射的分析,可以肯定审美反应对文化影响很敏感,因此,它们不一定具有普遍性。
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CiteScore
4.20
自引率
0.00%
发文量
34
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