Alienation and Violence in Beatriz Cabur’s Plays

María Herrera Cárdenas
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Abstract

In the last decades of the 21st century, the growing interest in legitimising contemporary Spanish female playwrights is evident in the context of contemporary feminist theories. This research explores Beatriz Cabur's plays, published and performed nationally and internationally, insofar as they respond to some of the current feminist demands regarding trauma. This study delves into the need for appropriate critical and analytical models for the study of theatrical experimentalism, which, in addition to its academic value, addresses current feminist demands. The development of this study is supported by clear thematic links that are established, from which it is possible to delve into the implicit and explicit feminisms of contemporary Spanish theatre, as well as the shaping, development, and legitimisation of contemporary feminine identities.
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比阿特丽斯-卡布尔戏剧中的异化与暴力
21 世纪最后几十年,在当代女权主义理论的背景下,人们对当代西班牙女剧作家合法化的兴趣与日俱增。本研究探讨了比阿特丽斯-卡布尔在国内外出版和演出的戏剧作品,这些作品回应了当前女权主义对创伤的一些要求。本研究深入探讨了对戏剧实验主义研究的适当批评和分析模式的需求,除了其学术价值外,还解决了当前女权主义的需求。本研究的发展得到了已建立的明确主题联系的支持,从中可以深入探讨当代西班牙戏剧中隐含和明确的女性主义,以及当代女性身份的塑造、发展和合法化。
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