{"title":"Women in the medieval university","authors":"Rosa Smurra","doi":"10.12775/klio.2023.020","DOIUrl":null,"url":null,"abstract":"This article analyses the literary sources and accounts of Novella d’Andrea, the daughter of Giovanni d’Andrea, an eminent professor at the Bolognese Studium. The study examines the unprecedented case of a woman teaching law at the university in the first half of the fourteenth century, casting light on the cultural and family environment in which she grew up. The sources that conserve her memory are analysed, in particular the account provided by Christine de Pizan, with a new interpretation of her passage, but also those sources that have disseminated misleading information, generating confusion about the historical figure of Novella d’Andrea. The visual works of art that, like the literary accounts, have fuelled her myth include a work that has hitherto been ignored by historiography on Novella d’Andrea, the fourteenth-century woman who broke the glass ceiling.","PeriodicalId":196287,"journal":{"name":"Klio - Czasopismo Poświęcone Dziejom Polski i Powszechnym","volume":"59 60","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Klio - Czasopismo Poświęcone Dziejom Polski i Powszechnym","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12775/klio.2023.020","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This article analyses the literary sources and accounts of Novella d’Andrea, the daughter of Giovanni d’Andrea, an eminent professor at the Bolognese Studium. The study examines the unprecedented case of a woman teaching law at the university in the first half of the fourteenth century, casting light on the cultural and family environment in which she grew up. The sources that conserve her memory are analysed, in particular the account provided by Christine de Pizan, with a new interpretation of her passage, but also those sources that have disseminated misleading information, generating confusion about the historical figure of Novella d’Andrea. The visual works of art that, like the literary accounts, have fuelled her myth include a work that has hitherto been ignored by historiography on Novella d’Andrea, the fourteenth-century woman who broke the glass ceiling.
这篇文章分析了博洛尼亚大学著名教授乔瓦尼-德-安德烈亚(Giovanni d'Andrea)之女诺维拉-德-安德烈亚(Novella d'Andrea)的文学资料和描述。本研究探讨了十四世纪上半叶在大学教授法律的女性这一前所未有的案例,揭示了她成长的文化和家庭环境。研究分析了保存她记忆的资料,特别是克里斯蒂娜-德-皮赞(Christine de Pizan)提供的描述,对她的经历进行了新的诠释,同时也分析了那些传播误导性信息的资料,这些信息造成了对诺维拉-德-安德烈亚这一历史人物的混淆。与文学作品一样,视觉艺术作品也为她的神话推波助澜,其中包括一部迄今为止一直被关于诺维拉-安德烈亚的历史著作所忽视的作品--十四世纪打破玻璃天花板的女性。