Research on the assessment of music performance from Maria Manturzewska’s early experiments to more recent studies

IF 2.2 3区 心理学 0 MUSIC Musicae Scientiae Pub Date : 2023-11-15 DOI:10.1177/10298649231188272
Małgorzata Chmurzyńska
{"title":"Research on the assessment of music performance from Maria Manturzewska’s early experiments to more recent studies","authors":"Małgorzata Chmurzyńska","doi":"10.1177/10298649231188272","DOIUrl":null,"url":null,"abstract":"The assessment of music performance by experts is vital for the measurement of performers’ achievements both in the course of their training and in the context of competitions. More than 350 international piano competitions are held every year, in which the main task of the jury is to judge performances as they take place in the moment, without taking into account any other information such as performers’ previous competition successes. A vast body of evidence shows that many factors influence such judgments. In this article, I discuss these factors, as first identified in early and comparatively little-known research by Maria Manturzewska, the first Polish music psychologist (1930–2020). The principal purpose of her studies was to examine the inter- and intra-rater reliability of judges’ scores in the 6th International Fryderyk Chopin Piano Competition (IFCPC), held in Warsaw in 1960, and in an experiment in which the judges were, respectively, 28 competition jurors and a panel of 10 experts (2 competition jurors, a participant in the competition, and 8 further outstanding pianists). Based on the analysis of the jurors’ scores in the competition and those of the experts, Manturzewska found low values for both inter- and intra-rater reliability: different judges assessed the same performances in different ways, as did experts hearing the same performance on two occasions. Manturzewska proposed several explanations for the discrepancies between judges’ assessments. Not only have her students and collaborators continued her work by testing and verifying some of her hypotheses, but more recent research conducted outside Poland has also done so. In conclusion, although some kinds of objective measurement can be made using new tools and technologies, human judges with their own competences, ability to evaluate, value systems, preferences, and a sense of fairness and morality will always be needed for reliable and accurate assessments.","PeriodicalId":47219,"journal":{"name":"Musicae Scientiae","volume":null,"pages":null},"PeriodicalIF":2.2000,"publicationDate":"2023-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Musicae Scientiae","FirstCategoryId":"102","ListUrlMain":"https://doi.org/10.1177/10298649231188272","RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0

Abstract

The assessment of music performance by experts is vital for the measurement of performers’ achievements both in the course of their training and in the context of competitions. More than 350 international piano competitions are held every year, in which the main task of the jury is to judge performances as they take place in the moment, without taking into account any other information such as performers’ previous competition successes. A vast body of evidence shows that many factors influence such judgments. In this article, I discuss these factors, as first identified in early and comparatively little-known research by Maria Manturzewska, the first Polish music psychologist (1930–2020). The principal purpose of her studies was to examine the inter- and intra-rater reliability of judges’ scores in the 6th International Fryderyk Chopin Piano Competition (IFCPC), held in Warsaw in 1960, and in an experiment in which the judges were, respectively, 28 competition jurors and a panel of 10 experts (2 competition jurors, a participant in the competition, and 8 further outstanding pianists). Based on the analysis of the jurors’ scores in the competition and those of the experts, Manturzewska found low values for both inter- and intra-rater reliability: different judges assessed the same performances in different ways, as did experts hearing the same performance on two occasions. Manturzewska proposed several explanations for the discrepancies between judges’ assessments. Not only have her students and collaborators continued her work by testing and verifying some of her hypotheses, but more recent research conducted outside Poland has also done so. In conclusion, although some kinds of objective measurement can be made using new tools and technologies, human judges with their own competences, ability to evaluate, value systems, preferences, and a sense of fairness and morality will always be needed for reliable and accurate assessments.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
从 Maria Manturzewska 的早期实验到最新研究的音乐表现评估研究
专家对音乐演奏的评估对于衡量演奏者在培训和比赛中的成绩至关重要。每年都有 350 多场国际钢琴比赛,评委的主要任务是对演奏者的现场表演进行评判,而不考虑演奏者之前的比赛成绩等其他信息。大量证据表明,有许多因素会影响这种评判。在本文中,我将讨论波兰第一位音乐心理学家玛丽亚-曼图尔泽斯卡(1930-2020 年)在早期研究中首次发现的这些因素。她研究的主要目的是考察 1960 年在华沙举行的第六届弗莱德里克-肖邦国际钢琴比赛(IFCPC)中评委打分在评委之间和评委内部的可靠性,以及在一项实验中评委分别由 28 名比赛评委和 10 名专家(2 名比赛评委、1 名比赛参赛者和 8 名其他杰出钢琴家)组成。根据对比赛评委和专家评分的分析,Manturzewska 发现评分者之间和评分者内部的可靠性都很低:不同评委对相同演奏的评价不同,专家在两次聆听相同演奏时的评价也不同。Manturzewska 对评委评估之间的差异提出了几种解释。不仅她的学生和合作者继续她的工作,对她的一些假设进行了测试和验证,最近在波兰以外进行的研究也是如此。总之,尽管可以利用新工具和新技术进行某些客观测量,但始终需要具有自身能力、评估能力、价值体系、偏好以及公平感和道德感的人类法官进行可靠和准确的评估。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
Musicae Scientiae
Musicae Scientiae Multiple-
CiteScore
4.50
自引率
8.30%
发文量
21
期刊介绍: MUSICAE SCIENTIAE is the trilingual journal, official organ of ESCOM, published with the financial support of the Belgian Science Policy.
期刊最新文献
Characterizing music for sleep: A comparison of Spotify playlists Performance profiling: A systematic approach to the enhancement of music practice and peak performance A phrase in a loop: A rethink of verbatim repetition in the speech-to-song illusion and a new approach to the study of involuntary auditory imagery Assessing aesthetic music-evoked emotions in a minute or less: A comparison of the GEMS-45 and the GEMS-9 Opera trainees' cognitive functioning is associated with physiological stress during performance.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1