Analysis of the Phenomenon and Causes of Stepmother Culture

Ziyue Wu
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Abstract

Stepmother culture is a classic theme culture in the narrative of Eastern and Western ethnic groups. As a female image that differs from biological mothers, "stepmother" is often portrayed as a negative and malicious image in cultural narratives of different countries and regions. However, the "stepmother culture" in China or European and American countries did not initially portray stepmother as a domineering, malicious, or incompetent mother, but rather continuously adjusted the image of stepmother according to the cultural concepts, politics, or social needs of the country. For example, in the Han Dynasty of China, the concept of human relations and filial piety culture were advocated, and stepmother played an important role in maintaining the relationship between father and son in social production, life, and marriage structure, thus creating the stepmother culture The image of a stepmother is more positive, just like the image of an angel suffering and suffering. Starting from the perspectives of Eastern and Western stepmother cultural concepts and phenomena, this paper explores the reasons for the formation and development of different stepmother cultures, sorts out the evolution and development of stepmother cultures in the context of the present era, and demonstrates the unity and diversity of stepmother cultures in different countries.
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继母文化现象及成因分析
继母文化是东西方民族叙事中的经典主题文化。作为一种有别于亲生母亲的女性形象,在不同国家和地区的文化叙事中,"后妈 "往往被塑造成一个负面的、恶毒的形象。然而,无论是中国还是欧美国家的 "后母文化",最初并没有将后母塑造成专横、恶毒或无能的母亲形象,而是根据本国的文化观念、政治或社会需要不断调整后母的形象。例如,我国汉代崇尚人伦观念和孝道文化,继母在社会生产、生活、婚姻结构中扮演着维系父子关系的重要角色,从而造就了继母文化 继母的形象更多的是正面的,就像天使受苦受难的形象。本文从东西方继母文化观念和现象入手,探讨不同继母文化形成和发展的原因,梳理继母文化在当今时代背景下的演变和发展,展示不同国家继母文化的统一性和多样性。
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