{"title":"Already bad enough when the name was but a name","authors":"Christian Bök","doi":"10.1080/14702029.2022.2148899","DOIUrl":null,"url":null,"abstract":"ABSTRACT The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson recounts the story of a man divided against himself, oscillating between two identities – one decent (named Jekyll) and one wicked (named Hyde). This short essay by Christian Bök examines the transitions that occur in the narrative, when the proper names shift from one moniker to the other in reference to the protagonist: each name vying for ‘citation’ in the story, thereby attempting to predominate, as a signifier, throughout the course of events. The narrative (perhaps coincidentally) maintains an almost equal usage of these two names, as if preserving an equilibrium of tensions between their contrarian identities, balancing them almost perfectly, giving each character 100 chances to be mentioned. The form of the story thus seems to perform the idea of eponymic division, indicated within the plot.","PeriodicalId":35077,"journal":{"name":"Journal of Visual Art Practice","volume":"79 1","pages":"287 - 290"},"PeriodicalIF":0.0000,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Visual Art Practice","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14702029.2022.2148899","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson recounts the story of a man divided against himself, oscillating between two identities – one decent (named Jekyll) and one wicked (named Hyde). This short essay by Christian Bök examines the transitions that occur in the narrative, when the proper names shift from one moniker to the other in reference to the protagonist: each name vying for ‘citation’ in the story, thereby attempting to predominate, as a signifier, throughout the course of events. The narrative (perhaps coincidentally) maintains an almost equal usage of these two names, as if preserving an equilibrium of tensions between their contrarian identities, balancing them almost perfectly, giving each character 100 chances to be mentioned. The form of the story thus seems to perform the idea of eponymic division, indicated within the plot.
期刊介绍:
The Journal of Visual Art Practice (JVAP) is a forum of debate and inquiry for research in art. JVAP is concerned with visual art practice including the social, economic, political and cultural frames within which the formal concerns of art and visual art practice are located. The journal is concerned with research engaged in these disciplines, and with the contested ideas of knowledge formed through that research. JVAP welcomes submissions that explore new theories of research and practice and work on the practical and educational impact of visual arts research. JVAP recognises the diversity of research in art and visual arts, and as such, we encourage contributions from scholarly and pure research, as well as developmental, applied and pedagogical research. In addition to established scholars, we welcome and are supportive of submissions from new contributors including doctoral researchers. We seek contributions engaged with, but not limited to, these themes: -Art, visual art and research into practitioners'' methods and methodologies -Art , visual art, big data, technology, and social change -Art, visual art, and urban planning -Art, visual art, ethics and the public sphere -Art, visual art, representations and translation -Art, visual art, and philosophy -Art, visual art, methods, histories and beliefs -Art, visual art, neuroscience and the social brain -Art, visual art, and economics -Art, visual art, politics and power -Art, visual art, vision and visuality -Art, visual art, and social practice -Art, visual art, and the methodology of arts based research