The Arts as a Vocation

IF 0.3 0 ART Museum Worlds Pub Date : 2023-07-01 DOI:10.3167/armw.2023.110109
Julian Meyrick
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Abstract

This article is a revised version of the 2022 Michael Volkerling Memorial Lecture. It offers insights for the GLAM sector into the history of Australian national cultural policy (NCP), now in a new phase with the delivery of Revive in January 2023. It draws on the author's experience as a theatre director, a researcher into evaluation methods, and a policy activist to reflect on the challenges facing cultural policies at the current time. If arts organizations confront tough questions about diversity and inclusion, what happened to the economic ones of market efficiency and value-add that seemed all-consuming just a few years ago? The article utilizes Max Weber's conception of “a vocation” to reconsider the aims and purpose of an NCP. As the world contends with problems of entrenched inequality, catastrophic climate change, and democratic deficit, how can cultural policies, as distinct from other kinds, address these? Should they even try?
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艺术作为一种职业
本文是 2022 年迈克尔-沃尔克林纪念讲座的修订版。它为 GLAM 部门提供了对澳大利亚国家文化政策(NCP)历史的见解,随着 2023 年 1 月 "复兴 "计划的实施,澳大利亚国家文化政策正处于一个新的阶段。它借鉴了作者作为剧院导演、评估方法研究者和政策活动家的经验,对当前文化政策面临的挑战进行了反思。如果说艺术组织面临着多样性和包容性的棘手问题,那么几年前似乎无所不包的市场效率和增值等经济问题又发生了什么变化?文章利用马克斯-韦伯(Max Weber)的 "天职 "概念来重新考虑国家文化政策的目标和宗旨。当今世界正面临着根深蒂固的不平等、灾难性的气候变化和民主赤字等问题,那么有别于其他政策的文化政策该如何解决这些问题呢?它们是否应该尝试?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
1.00
自引率
15.40%
发文量
0
审稿时长
16 weeks
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