Exhibition Reviews

IF 0.3 0 ART Museum Worlds Pub Date : 2023-07-01 DOI:10.3167/armw.2023.110119
Isabelle Gapp, Rose Taylor, Ching-yueh Hsieh, Jingjing Zhou, Caroline Colbran, Emily Poore
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引用次数: 0

Abstract

In the almost four years since The Arctic: While the Ice Is Melting opened (October 2019), we have experienced a global pandemic and now find ourselves teetering on the edge of catastrophic ice melt. With exhibits, elaborate installations, ceiling projections, and interactive stations, this award-winning exhibition frames Indigenous communities and the work of non-Indigenous researchers through the omnipresence of ice and ice melt around the Arctic, encompassing Alaska, Inuit Nunangat (Canada), Kalaallit Nunaat (Greenland), Iceland, Svalbard and Norway, Sweden, Finland, and Russia. It is expansive in its thematic outlook and asks us to think about an Arctic without ice and the implications of this for Indigenous societies and cultures. With the exhibition extended throughout 2023, and given the latest news on predicted summer sea ice levels, the urgency of its message is perhaps now even more palpable.
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展览回顾
自 "北极:冰雪消融 "展览开幕(2019 年 10 月)以来的近四年时间里,我们经历了一场全球大流行病,现在又发现自己正徘徊在灾难性冰雪消融的边缘。这个屡获殊荣的展览通过展品、精心制作的装置、天花板投影和互动站,将原住民社区和非原住民研究人员的工作框定在北极无处不在的冰与冰融化中,包括阿拉斯加、因努伊特努南加特(加拿大)、卡拉利特努南加特(格陵兰岛)、冰岛、斯瓦尔巴特群岛和挪威、瑞典、芬兰和俄罗斯。展览的主题范围很广,要求我们思考一个没有冰的北极,以及这对土著社会和文化的影响。展览将持续到 2023 年,考虑到有关夏季海冰水平预测的最新消息,其所传达信息的紧迫性现在可能更加明显。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.00
自引率
15.40%
发文量
0
审稿时长
16 weeks
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