Sound radiation patterns of the Sarasvati Veena and their relation with the modal behavior of its top plate

Chandrashekhar Chauhan, Pravin Singru, Radhika Vathsan
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Abstract

The large wooden resonator of the Sarasvati Veena amplifies and radiates the sound in almost all directions. The directional and spatial dependence of this radiation is studied in conjunction with the mode shapes of the top plate of the resonator. Sound radiation patterns are simulated theoretically using the nodal displacement data obtained from the numerical modal analysis of the resonator. The experimental analysis involves the manual plucking of the Veena string. The radiated sound is recorded by placing microphones around the resonator in circular arrays of different radii in the different planes. These combinations of arrays at different distances and planes provide a thorough knowledge of sound radiating out of the resonator. The intensities of different frequencies in the recorded spectral data as functions of direction and distance from the approximate center of the top plate of the resonator are studied. Experimentally measured patterns show the importance of the top plate over the body of the resonator. Theoretical and experimental radiation patterns for different harmonics of the plucked string are compared and a good match is observed. The behavior of the radiating sound in the different planes at different radial distances from the assumed center is discussed.
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Sarasvati Veena 的声辐射模式及其与顶板模态行为的关系
Sarasvati Veena 的大型木质共鸣器可以放大并向几乎所有方向辐射声音。我们结合谐振器顶板的模态形状研究了这种辐射的方向和空间依赖性。声音辐射模式是利用谐振器数值模态分析获得的节点位移数据进行理论模拟的。实验分析包括手动拨动 Veena 琴弦。通过在谐振器周围的不同平面上放置不同半径的圆形阵列传声器来记录辐射声。这些不同距离和平面的阵列组合可以全面了解共鸣器辐射出的声音。我们还研究了记录的频谱数据中不同频率的强度与谐振器顶板近似中心的方向和距离的函数关系。实验测量的模式显示了顶板对谐振器主体的重要性。比较了弹拨琴弦不同谐波的理论和实验辐射模式,发现两者非常吻合。还讨论了从假定中心到不同径向距离的不同平面上的辐射声行为。
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