Hegemonic Femininity in Popular Culture

Aratrika Bose, Tanupriya, Anuja Singh
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Abstract

Using the lens of Neeraj Ghaywan's film Geeli Pucchi, Aratrika Bose, Tanupriya, and Anuja Singh explore the ways in which lesbian characters negotiate the trappings of hegemonic femininity embedded in Indian culture, from marriage and home life to the workplace, and the role of the body and "beauty" in the navigation of feminine identities.
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大众文化中的霸权女性形象
阿拉特里卡-博斯(Aratrika Bose)、塔努普里亚(Tanupriya)和阿努贾-辛格(Anuja Singh)以尼拉杰-盖万(Neeraj Ghaywan)的电影《Geeli Pucchi》为视角,探讨了女同性恋角色如何与印度文化中的霸权女性特征进行谈判,从婚姻、家庭生活到工作场所,以及身体和 "美 "在女性身份中的作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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