Reemt Hinrichs, Kevin Gerkens, Alexander Lange, Jörn Ostermann
{"title":"Blind extraction of guitar effects through blind system inversion and neural guitar effect modeling","authors":"Reemt Hinrichs, Kevin Gerkens, Alexander Lange, Jörn Ostermann","doi":"10.1186/s13636-024-00330-0","DOIUrl":null,"url":null,"abstract":"Audio effects are an ubiquitous tool in music production due to the interesting ways in which they can shape the sound of music. Guitar effects, the subset of all audio effects focusing on guitar signals, are commonly used in popular music to shape the guitar sound to fit specific genres or to create more variety within musical compositions. Automatic extraction of guitar effects and their parameter settings, with the aim to copy a target guitar sound, has been previously investigated, where artificial neural networks first determine the effect class of a reference signal and subsequently the parameter settings. These approaches require a corresponding guitar effect implementation to be available. In general, for very close sound matching, additional research regarding effect implementations is necessary. In this work, we present a different approach to circumvent these issues. We propose blind extraction of guitar effects through a combination of blind system inversion and neural guitar effect modeling. That way, an immediately usable, blind copy of the target guitar effect is obtained. The proposed method is tested with the phaser, softclipping and slapback delay effect. Listening tests with eight subjects indicate excellent quality of the blind copies, i.e., little to no difference to the reference guitar effect.","PeriodicalId":49202,"journal":{"name":"Eurasip Journal on Audio Speech and Music Processing","volume":"136 1","pages":""},"PeriodicalIF":1.7000,"publicationDate":"2024-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Eurasip Journal on Audio Speech and Music Processing","FirstCategoryId":"94","ListUrlMain":"https://doi.org/10.1186/s13636-024-00330-0","RegionNum":3,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"ACOUSTICS","Score":null,"Total":0}
引用次数: 0
Abstract
Audio effects are an ubiquitous tool in music production due to the interesting ways in which they can shape the sound of music. Guitar effects, the subset of all audio effects focusing on guitar signals, are commonly used in popular music to shape the guitar sound to fit specific genres or to create more variety within musical compositions. Automatic extraction of guitar effects and their parameter settings, with the aim to copy a target guitar sound, has been previously investigated, where artificial neural networks first determine the effect class of a reference signal and subsequently the parameter settings. These approaches require a corresponding guitar effect implementation to be available. In general, for very close sound matching, additional research regarding effect implementations is necessary. In this work, we present a different approach to circumvent these issues. We propose blind extraction of guitar effects through a combination of blind system inversion and neural guitar effect modeling. That way, an immediately usable, blind copy of the target guitar effect is obtained. The proposed method is tested with the phaser, softclipping and slapback delay effect. Listening tests with eight subjects indicate excellent quality of the blind copies, i.e., little to no difference to the reference guitar effect.
期刊介绍:
The aim of “EURASIP Journal on Audio, Speech, and Music Processing” is to bring together researchers, scientists and engineers working on the theory and applications of the processing of various audio signals, with a specific focus on speech and music. EURASIP Journal on Audio, Speech, and Music Processing will be an interdisciplinary journal for the dissemination of all basic and applied aspects of speech communication and audio processes.