{"title":"“El cuerpo de verdad”: The Potency of Magali Lara’s Unpictured Bodies","authors":"Maggie Borowitz","doi":"10.1080/00043249.2023.2281217","DOIUrl":null,"url":null,"abstract":"This article explores a suite of six prints made by the Mexican artist Magali Lara in 1984 that present a series of views onto bathrooms. Although the artist never pictures bodies, the images manag...","PeriodicalId":0,"journal":{"name":"","volume":"29 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"","FirstCategoryId":"1090","ListUrlMain":"https://doi.org/10.1080/00043249.2023.2281217","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract
This article explores a suite of six prints made by the Mexican artist Magali Lara in 1984 that present a series of views onto bathrooms. Although the artist never pictures bodies, the images manag...
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