Who has access to a career in Western classical music? Building a tool to evaluate intersectionality in barriers to music education and careers

Sandra Trienekens, Juan Carlos Escobar Campos, Lili Schutte, Melissa Bremmer
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Abstract

This article reflects on the “Hiddenness Index” we developed, implemented, and evaluated for Concertgebouworkest Young (Young), the youth orchestra of the Dutch Royal Concertgebouw Orchestra (Concertgebouworkest) for musicians with “hidden talents.” “Hiddenness” alludes to various barriers that young musicians aspiring to a career in Western classical music may face, due to their social identity and positioning. These barriers may cause their talent to remain underdeveloped, invisible, or undiscovered; that is, “hidden.” We developed the Index in response to Concertgebouworkest’s request for an “evaluation and learning tool.” Informed by intersectionality theory, it is an alternative to quantitative research into arts and culture, which takes a single-axis approach to the explanation of inequality in access to cultural production and participation. The first phase of our design-based research consisted of a theory- and practice-based mapping of the dimensions of “hiddenness.” The outcome was that Geographical, Socio-economic, Family networks, Ethno-cultural, and Confidence-support dimensions should form the basis of the Hiddenness Index, which was constructed as a composite indicator. In the second phase of research, the Index was applied to the backgrounds of Young participants. The evaluation of the Index’s strengths and weaknesses was central to the third phase. Complementing qualitative research, the Index offered a statistical way to evaluate the extent to which Young participants’ talents were hidden and which dimensions of hiddenness were most prevalent at the group level. The Index affirmed and illustrated intersectionality theory, including the way two or more dimensions can compensate or reinforce one another. Through the use of the Index, the Young team gained a better understanding of intersectionality, which enabled them to fine-tune the selection process for future cohorts. The Index helped the team members to check their preconceptions (unconscious bias) and made them more aware of and able to attend to the different needs of individual participants.
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谁有机会从事西方古典音乐事业?建立一个工具来评估音乐教育和职业障碍的交叉性
荷兰皇家音乐厅管弦乐团(Concertgebouworkest)青年交响乐团是一个为具有 "隐藏才能 "的音乐家而成立的乐团,本文反映了我们为该乐团开发、实施和评估的 "隐藏指数"。"隐藏 "指的是有志于在西方古典音乐领域发展的青年音乐家由于其社会身份和定位而可能面临的各种障碍。这些障碍可能会导致他们的才华得不到充分发挥、被忽视或未被发现,即 "隐藏"。我们根据 Concertgebouworkest 对 "评估和学习工具 "的要求制定了该指数。在交叉性理论的指导下,该指数是对文化艺术定量研究的一种替代,因为定量研究采用单轴方法来解释文化生产和参与机会的不平等。我们以设计为基础的研究的第一阶段包括以理论和实践为基础的 "隐蔽性 "维度绘图。研究结果表明,地理、社会经济、家庭网络、民族文化和信心支持等维度应构成 "隐蔽性指数 "的基础,而 "隐蔽性指数 "则是一个综合指标。在第二阶段的研究中,该指数被应用于青年参与者的背景。第三阶段的中心工作是评估该指数的优缺点。作为定性研究的补充,该指数提供了一种统计方法,用以评估青年参与者的才能在多大程度上被隐藏,以及在群体层面上哪些方面的隐藏性最为普遍。该指数肯定并说明了交叉性理论,包括两个或多个维度可以相互补偿或加强的方式。通过使用该指数,Young 团队对交叉性有了更好的了解,这使他们能够对今后的选拔过程进行微调。该指数帮助团队成员检查他们的先入之见(无意识偏见),并使他们更加了解和能够关注个别参与者的不同需求。
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来源期刊
CiteScore
3.00
自引率
37.50%
发文量
37
期刊介绍: Research Studies in Music Education is an internationally peer-reviewed journal that promotes the dissemination and discussion of high quality research in music and music education. The journal encourages the interrogation and development of a range of research methodologies and their application to diverse topics in music education theory and practice. The journal covers a wide range of topics across all areas of music education, and a separate "Perspectives in Music Education Research" section provides a forum for researchers to discuss topics of special interest and to debate key issues in the profession.
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