Hair Apparent; or, Dickens's Public Hair

IF 0.7 1区 文学 0 LITERATURE, BRITISH ISLES DICKENS QUARTERLY Pub Date : 2024-02-23 DOI:10.1353/dqt.2024.a920208
Natalie McKnight
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引用次数: 0

Abstract

Abstract:

Dickens plays off the strange hybrid nature of hair throughout his fiction. Hair is both alive and dead, public but also private, part of and not part of the body. Dickens uses hair to create both comedy and pathos, and it projects key aspects of many characters while simultaneously defying their control. Through hair, Dickens raises epistemological questions about the human tendency to categorize the world in binaries, and he suggests that all such categories misrepresent reality and fail to capture the complexity of human experience.

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明显的头发;或狄更斯的公共头发
摘要:狄更斯在他的小说中处处体现出头发奇特的混合特性。头发既是活的,又是死的;既是公共的,又是私人的;既是身体的一部分,又不是身体的一部分。狄更斯用头发来创造喜剧和悲情,它投射出许多人物的关键方面,同时又违抗他们的控制。通过头发,狄更斯提出了认识论上的问题,即人类倾向于将世界进行二元分类,他认为所有这些分类都歪曲了现实,未能捕捉到人类经验的复杂性。
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来源期刊
DICKENS QUARTERLY
DICKENS QUARTERLY LITERATURE, BRITISH ISLES-
CiteScore
0.20
自引率
16.70%
发文量
33
期刊最新文献
Dickens's Mudfog Charles Dickens and Georgina Hogarth: A Curious and Enduring Relationship by Christine Skelton (review) Writing to Control the Narrative: Charles Dickens, PTSD, and the Staplehurst Rail Crash The Year that Shaped the Victorian Age: Lives, Loves and Letters of 1845 by Michael Wheeler (review) The Dickens Checklist
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