Twenty Stories by Jack Driscoll (review)

IF 0.1 4区 文学 0 LITERATURE AMERICAN BOOK REVIEW Pub Date : 2024-03-12 DOI:10.1353/abr.2023.a921788
Bob Duxbury
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There is an execution, theft and trespass, and a couple who steal a horse. But the whodunit aspect of Driscoll's work is centered upon his characters' ceaseless investigation of their own lives as a crime scene. Are they victim or perp? Sometimes only one, but often both.</p> <p>As in any investigation, we enter Driscoll's stories after the event. The character in his first story is named Judge, and a first line like \"Doyle Laidlow has never attended an execution\" assures us there's some catching up to be done. Likewise, \"here's what the guy I <em>don't</em> live with anymore said.\" Sometimes the titles alone steer us to the police blotter: \"Death Parts,\" \"Prowlers,\" or \"A Woman Gone Missing.\"</p> <p>Early in the first story, Driscoll tells us his authorial ambition:</p> <blockquote> <p>Judge said you could measure a story by its private disclosures, by how far a person came forward to confess a part of himself asking forgiveness.</p> </blockquote> <p>In this story (\"Wanting Only to be Heard\"), Judge is a teenager, aided by the narrator, who decides to make a reckless swim at night between two fishing <strong>[End Page 88]</strong> holes under a frozen lake. The fact that such a venture is both obviously dangerous and foolhardy is dismissed. Yet the narrator notes:</p> <blockquote> <p>There was something principled about facts. … Maybe that's why I liked Dragnet so much. The claim that it was a true story, and that the sentence handed down after the last TV commercial was really being served.</p> </blockquote> <p>The tension in many of the stories lies between establishing the \"crime\" and seeking some kind of personal, rather than societal, retribution. Driscoll's characters are not short of grievances, but the crimes as such do not usually fall directly under conventional jurisprudence. The characters have been victims of parental neglect, adultery, addiction, an economic system that regards them as marginal, poor education, or just plain bad luck.</p> <p>A combination of these factors infuses a new story, \"The New World Emerging,\" ostensibly referring to the mother's job in a hospital that includes infant births on one floor, and a geriatric facility above them. The young narrator has been badly mauled by two dogs and has been held back in school, causing not only physical and emotional grief but also catastrophic medical costs. \"One week after the feeding tube had been removed\" the narrator returns to school, where he is confronted by his Supreme Court justice teacher, \"decked out in his Perry Mason robe,\" and \"on the blackboard had been printed my full legal name … along with some made-up case number.\"</p> <p>In the real world, meanwhile, the owners of the dogs responsible for the injury are intransigent, and their behavior</p> <blockquote> <p>justified in no way the pittance they'd offer, not to mention they'd never so much sent an apology or get well card, and the lawyer, shaking his head, [said] … \"What's done is done … Just go ahead and settle. Move on.\"</p> </blockquote> <p>But the father in this story can't move on. Not only does the plastic at their home's window act \"so even in broad daylight the world's a blur,\" but \"It's like this underfurnished 1950s house trailer has been tented over to fumigate some vile and incurable infestation.\"</p> <p>Father and son stand vigil over the offending couple's house late into the night, the father's watch on the dashboard indicating when they must drive <strong>[End Page 89]</strong> off to pick up the mother from her hospital shift: a bleakly haunting image for midlife, not least for its mute pleading for some sort of intervention...</p> </p>","PeriodicalId":41337,"journal":{"name":"AMERICAN BOOK REVIEW","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2024-03-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"AMERICAN BOOK REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/abr.2023.a921788","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0

Abstract

In lieu of an abstract, here is a brief excerpt of the content:

Reviewed by:

  • Twenty Stories by Jack Driscoll
  • Bob Duxbury (bio)
twenty stories Jack Driscoll
Pushcart Press
https://www.penguinrandomhouse.ca/books/721973/twenty-stories-by-jack-driscoll/9798985469714
280 pages; Print, $27.00

If you're seeking a homegrown version of Nordic noir, with snow-flecked, frigid scenery and hardbitten characters in dysfunctional relationships intent upon a desire for justice or vengeance, then forgo Stockholm or Helsinki for Northern Michigan's veteran storyteller, Jack Driscoll, and his combination of old and new work in the recently published Twenty Stories.

Not that there are so many actual crimes. There is an execution, theft and trespass, and a couple who steal a horse. But the whodunit aspect of Driscoll's work is centered upon his characters' ceaseless investigation of their own lives as a crime scene. Are they victim or perp? Sometimes only one, but often both.

As in any investigation, we enter Driscoll's stories after the event. The character in his first story is named Judge, and a first line like "Doyle Laidlow has never attended an execution" assures us there's some catching up to be done. Likewise, "here's what the guy I don't live with anymore said." Sometimes the titles alone steer us to the police blotter: "Death Parts," "Prowlers," or "A Woman Gone Missing."

Early in the first story, Driscoll tells us his authorial ambition:

Judge said you could measure a story by its private disclosures, by how far a person came forward to confess a part of himself asking forgiveness.

In this story ("Wanting Only to be Heard"), Judge is a teenager, aided by the narrator, who decides to make a reckless swim at night between two fishing [End Page 88] holes under a frozen lake. The fact that such a venture is both obviously dangerous and foolhardy is dismissed. Yet the narrator notes:

There was something principled about facts. … Maybe that's why I liked Dragnet so much. The claim that it was a true story, and that the sentence handed down after the last TV commercial was really being served.

The tension in many of the stories lies between establishing the "crime" and seeking some kind of personal, rather than societal, retribution. Driscoll's characters are not short of grievances, but the crimes as such do not usually fall directly under conventional jurisprudence. The characters have been victims of parental neglect, adultery, addiction, an economic system that regards them as marginal, poor education, or just plain bad luck.

A combination of these factors infuses a new story, "The New World Emerging," ostensibly referring to the mother's job in a hospital that includes infant births on one floor, and a geriatric facility above them. The young narrator has been badly mauled by two dogs and has been held back in school, causing not only physical and emotional grief but also catastrophic medical costs. "One week after the feeding tube had been removed" the narrator returns to school, where he is confronted by his Supreme Court justice teacher, "decked out in his Perry Mason robe," and "on the blackboard had been printed my full legal name … along with some made-up case number."

In the real world, meanwhile, the owners of the dogs responsible for the injury are intransigent, and their behavior

justified in no way the pittance they'd offer, not to mention they'd never so much sent an apology or get well card, and the lawyer, shaking his head, [said] … "What's done is done … Just go ahead and settle. Move on."

But the father in this story can't move on. Not only does the plastic at their home's window act "so even in broad daylight the world's a blur," but "It's like this underfurnished 1950s house trailer has been tented over to fumigate some vile and incurable infestation."

Father and son stand vigil over the offending couple's house late into the night, the father's watch on the dashboard indicating when they must drive [End Page 89] off to pick up the mother from her hospital shift: a bleakly haunting image for midlife, not least for its mute pleading for some sort of intervention...

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杰克-德里斯科尔的《二十个故事》(评论)
以下是内容的简要摘录,以代替摘要:评论者: 杰克-德里斯科尔(Jack Driscoll)的《二十个故事》 鲍勃-达克斯伯里(Bob Duxbury)(简历) 二十个故事 杰克-德里斯科尔(Jack Driscoll) 普斯卡出版社 https://www.penguinrandomhouse.ca/books/721973/twenty-stories-by-jack-driscoll/9798985469714 280 页;印刷版,27.00 美元 如果您正在寻找本土版的北欧黑色小说,书中有白雪皑皑的寒冷景色,有关系不正常、一心想伸张正义或复仇的硬汉角色,那么请放弃斯德哥尔摩或赫尔辛基,去寻找北密歇根州的资深说书人杰克-德里斯科尔(Jack Driscoll),以及他在最近出版的《二十个故事》中新旧作品的结合。故事中并没有那么多真实的罪行。其中有死刑、盗窃和非法入侵,还有一对偷马的夫妇。但德里斯科尔作品的悬疑性主要体现在他笔下的人物不停地把自己的生活当作犯罪现场来调查。他们是受害者还是罪犯?有时只是其中之一,但往往两者兼而有之。与任何调查一样,我们在事件发生后才进入德里斯科的故事。他的第一个故事中的人物名叫 "法官","道尔-莱德罗从未参加过死刑执行 "这样的第一句话就向我们保证,他还需要做一些补习工作。同样,"这是我不再住在一起的那个人说的话"。有时,单凭标题就能把我们引向警方的布告栏:"死亡零件"、"徘徊者 "或 "失踪的女人"。在第一个故事的开头,德里斯科尔就告诉了我们他的创作抱负: 法官说,衡量一个故事的好坏,可以看它的私密性,看一个人在多大程度上站出来忏悔,请求宽恕。 在这个故事("只想被倾听")中,朱吉是一个十几岁的孩子,在叙述者的帮助下,他决定在夜晚到冰冻湖面下的两个钓鱼 [End Page 88]洞之间进行一次鲁莽的游泳。这样的冒险显然既危险又愚蠢,这一点却被忽略了。然而,叙述者指出 事实是有原则的。......也许这就是我如此喜欢《天罗地网》的原因。它声称这是一个真实的故事,最后一个电视广告之后的宣判才是真正的执行。 许多故事的矛盾点在于,既要确定 "罪行",又要寻求某种个人而非社会的报复。德里斯科笔下的人物不乏冤屈,但这些罪行通常并不直接属于传统法学范畴。这些人物都是父母疏忽、通奸、毒瘾、被视为边缘人的经济体系、教育不善或运气不佳的受害者。这些因素的结合为一个新故事《新世界的崛起》注入了活力,故事表面上指的是母亲在一家医院的工作,医院的一层是婴儿出生的地方,而楼上则是老人院。年幼的叙述者被两只狗严重咬伤,在学校被留级,这不仅造成了身体和精神上的悲痛,还带来了灾难性的医疗费用。"拔掉输液管一周后",叙述者回到学校,面对的是他的最高法院法官老师,"穿着佩里-梅森的长袍","黑板上印着我的合法全名......还有一些编造的案件编号"。与此同时,在现实世界中,造成伤害的狗的主人顽固不化,他们的行为无论如何都不能证明他们所提供的微薄赔偿是合理的,更不用说他们从未寄来过道歉信或祝福卡,律师摇摇头,[说]...... "木已成舟......继续和解吧。继续前进" 但故事中的父亲却无法继续前进。他们家窗户上的塑料不仅 "即使在光天化日之下,世界也是模糊不清的",而且 "就像这辆 20 世纪 50 年代装修不足的拖车,被搭上了帐篷,以熏蒸某种恶毒且无法治愈的虫害"。父子俩深夜守候着这对犯罪夫妇的房子,仪表盘上父亲的手表显示他们必须在什么时候开车 [第 89 页完] 去医院接母亲下班:这是一幅凄凉的中年萦绕的画面,尤其是它无声地恳求某种干预......
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