Ferryman between two cultures: The calling of a historian of science

Pub Date : 2024-03-01 DOI:10.1016/j.endeavour.2024.100916
Klaas van Berkel
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引用次数: 0

Abstract

In well-established disciplines like history it is not common to find professionals who admit that they are driven by a “calling” or who say they have a “mission” to fulfill. In emerging disciplines, however, the situation is different: in order to gain recognition these new disciplines need highly driven practitioners, who’s calling enables them to overcome opposition or neglect from the side of the established disciplines. A clear example of such a practitioner with a mission in an emerging field of knowledge is the Dutch historian of science Eduard Jan Dijksterhuis (1892–1965). His career as a mathematics teacher, historical scholar, and public intellectual was marked by the desire to re-integrate science and mathematics in culture in general. Dijksterhuis regarded the history of science as a major instrument to bring about this ideal. His magnum opus, The Mechanization of the World Picture (first published in 1950 in Dutch; translated into English in 1961), was the culmination of a lifetime of writing in the service of a cultural vision that can still inspire our own generation.

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两种文化之间的摆渡人科学史学者的使命
在历史学等历史悠久的学科中,很少有专业人员承认他们是受 "召唤 "驱使的,或者说他们有 "使命 "要完成。然而,在新兴学科中,情况则有所不同:为了获得认可,这些新学科需要极具驱动力的从业人员,他们的使命感使他们能够克服来自既有学科方面的反对或忽视。荷兰科学史家爱德华-扬-迪克斯特胡斯(Eduard Jan Dijksterhuis,1892-1965 年)就是这样一位在新兴知识领域肩负使命的实践者的一个明显例子。作为一名数学教师、历史学者和公共知识分子,他的职业生涯以希望将科学和数学重新融入整个文化为标志。戴克斯特胡斯将科学史视为实现这一理想的主要工具。他的巨著《世界图景的机械化》(1950 年首次以荷兰文出版,1961 年译成英文)是他一生为实现文化理想而写作的结晶,至今仍能激励我们这一代人。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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