Secondary school teachers' perceptions of the shared creative processes and the potential role of technology in the expressive arts

S. Chapman, Gary Beauchamp, Merris Griffiths
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Abstract

With the introduction of Curriculum for Wales and the restructuring of subjects into Areas of Learning and Experience (AoLE), each AoLE is encouraged to have ‘an identifiable disciplinary and instrumental core’. When considered in combination with the COVID‐19 pandemic and increased technology use within teaching, both the shared creative processes and the potential role of technology are important to conceptualise. This paper provides insight into expressive arts teachers' perceptions of the macro‐level creative processes shared across each subject area through a technology lens. A new tripartite classification provides clarity regarding the macro‐level creative processes (Creative opportunities, Critical responses and Performance/production) and the role of technology to enable equal opportunities and wider accessibility for learners to access, and potentially succeed within, the creative process.
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中学教师对共同创作过程的看法以及技术在表现艺术中的潜在作用
随着 "威尔士课程 "的引入和学科重组为 "学习与体验领域"(AoLE),每个 "学习与体验领域 "都被鼓励拥有 "可识别的学科和工具核心"。结合 COVID-19 大流行和教学中技术使用的增加,共同的创造性过程和技术的潜在作用对概念化都很重要。本文通过技术视角,深入分析了表现性艺术教师对各学科领域共同的宏观创作过程的看法。新的三方分类法明确了宏观层面的创作过程(创作机会、批判性反应和表演/制作)和技术的作用,使学习者有平等的机会和更广泛的途径参与创作过程,并有可能在创作过程中取得成功。
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