Feministyczne i kolektywne artywizmy

Q4 Arts and Humanities Czas Kultury Pub Date : 2024-03-31 DOI:10.61269/hycv4589
Agata Siwiak
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Abstract

The author describes the activities of female artists who co-found independent theater collectives that practice feminist artivism and sisterhood in various ways. Their actions are an active expression of opposition to violations of women’s rights, racism, classism, gender discrimination and top-down identity politics. In each of the cases described, the motivation for artivism is not only violence, but more importantly, the question: what ideas and values do female artists-activists advocate for? The methodological framework for the article is feminist theory (primarily the thought of Sara Ahmed), focusing on the everyday practice of feminism, which includes an awareness of intersectionality, an acknowledgment of one’s own privileges, and a desire to create more ethical and just realities. Key-words: feminism, artivism, feminist movement, Afghan women, Ukrainian women, Roma women
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女权主义和集体艺术活动
作者描述了女性艺术家共同创建独立戏剧团体的活动,她们以各种方式实践女权主义艺术主义和姐妹情谊。她们的行动积极表达了对侵犯妇女权利、种族主义、阶级歧视、性别歧视和自上而下的身份政治的反对。在描述的每个案例中,艺术主义的动机不仅是暴力,更重要的是问题:女性艺术家-活动家倡导的是什么思想和价值观?文章的方法论框架是女权主义理论(主要是萨拉-艾哈迈德的思想),重点关注女权主义的日常实践,其中包括对交叉性的认识、对自身特权的承认,以及对创造更加道德和公正现实的渴望。关键词:女权主义、艺术主义、女权运动、阿富汗妇女、乌克兰妇女、罗姆妇女
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来源期刊
Czas Kultury
Czas Kultury Social Sciences-Social Sciences (miscellaneous)
CiteScore
0.10
自引率
0.00%
发文量
10
期刊最新文献
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