Noli Me Tangere

Heidi Olson Campbell
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Abstract

Sixteenth-century theologians in their efforts to reform English religion sought to divest religion not only of its extrabiblical female saints but also its biblical female saints of their legends and their passionate expressions of sorrow. Reformers focused on deconstructing the popular weeping composite Mary Magdalene, yet their efforts were only partially successful. Thomas Walkington’s 1620 sermon, Rabboni, reveals that Protestant preachers were willing to diverge from the biblical account and use their imagination in sermons to appeal to their audience’s emotions. Rabboni demonstrates continued knowledge and leakage of Pre-Reformation extrabiblical legends into Protestant thought. The location of the sermon and the reception history of Pseudo-Origen’s De Maria Magdalena suggest why the medieval image of Mary Magdalene proved so indestructible.
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Noli Me Tangere
十六世纪的神学家们在改革英国宗教的过程中,不仅试图剥离《圣经》外的女圣人,还试图剥离《圣经》中女圣人的传说和她们对悲伤的热情表达。改革者们重点解构了广受欢迎的哭泣复合玛利亚-抹大拉,然而他们的努力只取得了部分成功。托马斯-沃金顿(Thomas Walkington)1620 年的布道《拉博尼》(Rabboni)揭示了新教传教士愿意偏离《圣经》的记载,并在布道中运用想象力来迎合听众的情感。拉博尼显示了对宗教改革前圣经外传说的持续了解,并将其渗入新教思想中。布道的地点和伪奥里根的《抹大拉的马利亚》(De Maria Magdalena)的接受史说明了为什么抹大拉的马利亚的中世纪形象如此坚不可摧。
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CiteScore
0.30
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0.00%
发文量
39
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