Fascism's Spatial Imaginary at the Threshold

Abstract

This article returns to the work of Leo Löwenthal and Norbert Guterman to theorize the spatial imaginary of fascism, a dimension missing from existing analyses of the social psychology of the authoritarian personality. The fascist spatial imaginary can be defined in terms of a Manichean sense of world space, a dominance of spatial binaries such as inside versus outside, mythic/romantic spatial imagery, a paranoid mood, and finally, spatial projection in which internal contradictions are externalized. As a historical case study, the article charts the rise and fall of the American fascist compound and its replacement by more flexible and mobile terrorist cells, connecting this change in fascist spatial formations to underlying shifts in the composition of capitalism. In conclusion, the article turns to Walter Benjamin and Giorgio Agamben to argue that, in the last instance, the fascist spatial imaginary cannot conceptualize thresholds, states of indistinction where the inside-outside binary blurs, and that dwelling within the threshold (rather than closing it) might be a tactic to disrupt the power of fascist spatial logics.