Dialogue In The Poetry Of Ibn Muqbil (A Reading Of The Aesthetics Of The Text)/ الحوار في شعر ابن مقبل (قراءة في جماليات النص)

IF 0.2 Q4 EDUCATION & EDUCATIONAL RESEARCH Ijaz Arabi Journal of Arabic Learning Pub Date : 2024-02-29 DOI:10.18860/ijazarabi.v7i1.26373
Marwah Ahmed Shakir
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Abstract

The dialogue represents an essential part of the aesthetics of the literary text, with the aesthetic interaction and multiplicity of voices within the text that it achieves. It helps to reveal the features of the creator's personality and its psychological tendencies. Through his conversation, the creator may look to show the characters who surrounded him, which may have affected his creative process. It psychologically impacted the creator and created an essential influence on the recipient. The method research is the theory of reading and reception and the mechanisms of the German theorist (Wolfgang Iser) in revealing the aesthetic effect of the creative artistic and poetic techniques that the text carries. The most important result of the research is that there is much dialogue in Ibn Muqbil's poetry, employing him to express psychological impulses such as grief, illness, and love toward the beloved woman or to complain about her. Dialogue contributed to the aesthetic of influence through artistic techniques that exposed creative poetics and the susceptibility of ancient texts to permanence, life, and harmony with theories of modernity (such as reading and receiving theory).
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伊本-穆克比勒诗歌中的对话(文本美学解读)/伊本-穆克比勒诗歌中的对话(文本美学解读)
对话是文学文本美学的重要组成部分,它实现了文本内部的审美互动和多重声音。它有助于揭示创作者的个性特征及其心理倾向。通过对话,创作者可能希望展现他身边的人物,这些人物可能影响了他的创作过程。这在心理上影响了创作者,并对接受者产生了至关重要的影响。研究方法是阅读和接受理论,以及德国理论家(沃尔夫冈-伊瑟尔)揭示文本所承载的艺术创作和诗歌技巧的审美效果的机制。研究的最重要成果是,伊本-穆克比勒的诗歌中有许多对话,他运用对话来表达心理冲动,如悲伤、疾病、对心爱女人的爱或对她的抱怨。对话通过艺术技巧,揭示了创造性的诗学以及古代文本易受现代性理论(如阅读和接受理论)影响的持久性、生命力和和谐性,从而促进了美学的影响。
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