Envisioning Posthuman India: An Analysis of S.B Divya’s Machinehood

IF 0.1 0 LITERARY THEORY & CRITICISM Literary Voice Pub Date : 2024-02-22 DOI:10.59136/lv.2024.2.1.10
Greeshma Johny
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Abstract

The contemporary technological epoch is witnessing the growth of posthuman discourse in science fiction novels as they focus on studying the future existence of humans and nonhumans. However, these posthuman insights and studies are mostly confined to Western sci-fi novels. The present study argues that contemporary Indian English science fiction optimistically deals with posthumanist concepts and shows how a harmonious existence is possible. The idea is delineated through S.B Divya’s debut novel Machinehood (2021), and it becomes a productive site to analyse posthuman India's future. The Borromean knot of human- achinenature in the novel delineates how this harmonious existence is possible. The study employs close reading and interpretation by using the concepts of “critical posthumanism” by Rosi Braidotti and “philosophical posthumanism” by Francesca Ferrando. The paper attempts to show how Divya deals with themes like advanced capitalism, neo-religion and sustainable environment, moving away from the conventional notions of anthropocentrism and how she unravels the potentials of posthumanism through symbiotic living. 
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设想后人类印度:对 S.B Divya 的《机器之躯》的分析
在当代科技时代,科幻小说中的 "后人类"(posthuman)论述日益增多,因为它们侧重于研究人类和非人类的未来生存状态。然而,这些后人类的见解和研究大多局限于西方科幻小说。本研究认为,当代印度英语科幻小说以乐观的态度论述了后人类概念,并展示了和谐生存的可能性。S.B Divya 的处女作《Machinehood》(2021 年)描绘了这一理念,它成为分析印度后人类未来的一个富有成效的场所。小说中人类与机器的博罗曼结勾勒出了这种和谐存在的可能性。本研究运用罗西-布赖多蒂(Rosi Braidotti)的 "批判的后人类主义 "和弗朗西斯卡-费兰多(Francesca Ferrando)的 "哲学的后人类主义 "这两个概念进行细读和阐释。本文试图展示迪维亚如何处理先进资本主义、新宗教和可持续环境等主题,如何摆脱传统的人类中心主义观念,以及她如何通过共生生活发掘后人类主义的潜力。
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Literary Voice
Literary Voice LITERARY THEORY & CRITICISM-
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