The “Riben dao ge” and the Sinosphere

Q3 Arts and Humanities Journal of Chinese Humanities Pub Date : 2024-01-29 DOI:10.1163/23521341-12340165
Chengyu Jin
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Abstract

The “Riben dao ge” is a well-known poem in the history of East Asian literary exchanges. The poem was written by Sima Guang during his appointment at the Palace Library, expressing his cultural expectations as well as some satirical remarks about Qian Gongfu. The earliest proponent of the theory that the “Riben dao ge” was written by Sima Guang was the Japanese Meiji-era scholar Kusaka Hiroshi, who influenced Yang Shoujing. From the standpoint of cultural history, the “Riben dao ge” is intimately connected to the Edo-era concept of lost and surviving books; Chosŏn’s goodwill missions, moreover, played a vital role in the dissemination of the poem in Japan. The “Riben dao ge’s” many influences across Japan and Chosŏn demonstrated an interest in the Chinese cultural issue of “searching for lost rituals among the people.”
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里本道歌 "与中国文化圈
里宾道歌》是东亚文学交流史上一首著名的诗歌。这首诗是司马光在宫廷图书馆任职期间写的,表达了他对文化的期望以及对钱恭复的一些讽刺。最早提出《日本道歌》为司马光所作这一说法的是日本明治时期的学者草冠弘,他对杨守敬产生了影响。从文化史的角度来看,《日本道歌》与江户时代的遗书和残书概念密切相关;此外,朝鲜的亲善使团对《日本道歌》在日本的传播起到了至关重要的作用。里本道歌 "在日本各地产生了许多影响,而朝鲜人则对 "在民间寻找失落的礼仪 "这一中国文化问题表现出了兴趣。
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来源期刊
Journal of Chinese Humanities
Journal of Chinese Humanities Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
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0.00%
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14
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