ANALISIS RESEPSI PADA GANGGUAN MENTAL BIPOLAR DALAM FILM KU KIRA KAU RUMAH

Ilmiawan Noor Rachim, A. Wibowo
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Abstract

A mental health issue that has been of concern to the public in recent years is bipolar mental disorder. The disorder has an impact on increasing mortality rates, especially death by suicide. One of the Indonesian movies that raised the theme of bipolar mental disorder is the movie Ku Kira Kau Rumah. This research aims to find out how the audience perceives the content of the message, especially regarding Bipolar mental disorder in the movie Ku Kira Kau Rumah. This research uses a descriptive qualitative approach with the method of reception analysis by Stuart Hall based on three categories namely Dominant Hegemonic Position, Negotiate Position and Oppositional Position using primary data sources as the main source. The data collection techniques used were interviews with eight informants and documentation. The data analysis technique used is the Miles and Huberman model including data reduction, data display and conclusion drawing and the data validation technique is source triangulation. Based on the results of the research data analysis, it was concluded that two informants were in the dominant hegemonic position, meaning that the two informants approved the message conveyed. Then three informants are in a positive negotiated position, meaning that the informant tends to agree with the message conveyed in the film and the last three informants are in an oppositional position, which means that the informant who is in the positive position does not agree with the message conveyed in the film.
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电影《我以为你在家》中躁郁症的接受分析
躁郁症是近年来备受公众关注的精神健康问题。这种精神障碍会导致死亡率上升,尤其是自杀死亡。躁郁症》(Ku Kira Kau Rumah)是一部以躁郁症为主题的印尼电影。本研究旨在了解观众如何看待电影《Ku Kira Kau Rumah》中的信息内容,尤其是关于躁郁症的内容。本研究以斯图亚特-霍尔(Stuart Hall)的接受分析法为基础,采用描述性定性研究方法,以原始数据为主要来源,分为三个类别,即霸权主导地位、协商地位和反对地位。使用的数据收集技术是与八位信息提供者的访谈和文献记录。使用的数据分析技术是迈尔斯和休伯曼模型,包括数据还原、数据显示和结论得出,数据验证技术是来源三角测量。根据研究数据分析的结果,得出的结论是,两名信息提供者处于主导霸权地位,这意味着这两名信息提供者认可所传达的信息。然后有三位信息提供者处于积极协商的立场,即信息提供者倾向于同意影片传达的信息,最后三位信息提供者处于反对立场,即处于积极立场的信息提供者不同意影片传达的信息。
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