Ritual as image

Abstract

Drawing on ethnographic fieldwork in the central Indian cotton belt, I examine two historical moments: (1) the expansion of agrarian capitalism and absorption of market logics into the peasant household in the colonial period; and (2) changes in seed technology and gendered labor required for cultivating hybrid cotton in the postcolonial era. Through these transformations, cotton farmers have maintained a harvest ritual in the fields. Through a comparison of contemporary and historical versions of this ritual, a new theory of ritual emerges, one that displaces the primacy of the linguistic sign, instead considering the semiotic force of the image. Ritual, in this rendering, is not only a material archive of social history but also an aesthetic and creative practice through which women farmers sacralize their own labor. Amid transforming regimes of cash-crop agriculture, the ritual situates regimes of cotton growing in the bodily and affective labor of the female farming body.