Evolution of Chinese Instrumental and Performing School of the 20th – Early 21st Century

Sisi Zhu
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Abstract

The purpose of the work is to determine the prerequisites and evolutionary processes of the development of the instrumental and performing school in China in the 20th – early 21st centuries. Research methods are based on cultural, historical, comparative approaches based on the principles of knowledge of nature and society. The scientific novelty consists in determining the prerequisites and development of the instrumental and performing school in China, as well as comparing the genres and features of their interaction, which contributed to the formation of new forms of music making. Conclusions. Based on the historical and musicological analysis of the evolution of instrumental and performing arts in China in the 20th and early 21st centuries, it is stated that the development of the phenomenon under study is inseparable from a comprehensive artistic process that covers the entire range of existing genres and forms. At the beginning of the 21st century, Chinese musical culture in general, and its instrumental and performing segment in particular, became an integral part of global musical development, influencing the course of evolution of world musical art. The conducted analysis made it possible to state the rapid growth of all aspects of the instrumental and performing school of the People's Republic of China, the powerful strengthening of the material base, the expansion of the field of education and popularisation of music, the improvement of the quality of training of performing personnel both in China and through the training of Chinese musicians abroad.  
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20 世纪至 21 世纪初中国器乐演奏流派的演变
这项工作的目的是确定 20 世纪至 21 世纪初中国器乐演奏学校发展的先决条件和演变过程。研究方法是基于自然和社会知识原则的文化、历史和比较方法。科学新颖性在于确定中国器乐演奏流派的先决条件和发展,以及比较流派和流派互动的特点,这有助于形成新的音乐创作形式。结论。基于对 20 世纪和 21 世纪初中国器乐演奏艺术演变的历史和音乐学分析,本文指出,所研究现象的发展与涵盖现有各种流派和形式的综合艺术进程密不可分。21 世纪初,中国音乐文化,特别是其器乐和表演部分,已成为世界音乐发展的一个组成部分,影响着世界音乐艺术的演变进程。分析结果表明,中华人民共和国的器乐演奏流派在各个方面都得到了迅速发展,物质基础得到了有力加强,音乐教育和普及领域得到了扩展,中国国内和通过在国外培训中国音乐家提高了演奏人员的培训质量。
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