Theater art of the Western Muslim communities of the end of the XX – beginning of the XXI century

Almuwail Fadhel
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Abstract

The purpose of the article is to reveal the peculiarities of the theatrical art of Western Muslim communities of the late 20th and early 21st centuries. on the example of Great Britain. Research methodology. The method of analysis and synthesis, the method of typological analysis, the historical and cultural method, the method of art research and theoretical generalisation was applied, which contributed to clarifying the peculiarities of the traditions of Islamic theatre and its development at the modern stage in Western Muslim communities, identifying the peculiarities and characteristic features of the theatres of the Muslim community of Great Britain . Scientific novelty. Peculiarities of theatrical art of Western Muslim communities were studied using the example of Great Britain; on the basis of the analysis of the productions of the "Khayaal Theatre" theatrical campaign, the peculiarities of the understanding of the place, role, and potential of theatrical art by representatives of modern Muslim communities in Europe were considered; the activity of the theatre of the multi-national Islamic school with education in English "SOBIS" (Cardiff) was analysed in the context of preserving the traditions of the Islamic theatre. Conclusions. The rich culture and spiritual experience of the Islamic world, represented in the productions of Western Muslim communities, exerts a noticeable influence on modern European society. The study revealed that the development of theatrical art in Western Muslim communities in the late 20th and early 21st centuries testifies to the selective integration of the leading trends of European performing arts, the attraction to multiculturalism, provided that traditional cultural and religious Islamic values are preserved. The originality of the scenographic solution, which has a direct connection with Islamic history, its visual and architectural heritage, expresses the ideas and values of Muslims. The main Muslim theatre companies in the UK are Khayaal Theatre, Ulfa Arts, Arakan Creative, Muju and others. Interactive forms of theatre, in particular forum-theatre, can become a powerful way of interacting and informing about the issues of British Muslim identity. Characteristic features of the activities of the theatres of the Muslim community of Great Britain are: honouring and popularising the philosophical-aesthetic, literary and artistic Islamic traditions; development of a diverse repertoire in order to reach a wide audience; promotion of intercultural dialogue, interaction of traditional and modern, mutual understanding between Muslims and people of other faiths and traditions.  
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二十世纪末二十一世纪初西方穆斯林社区的戏剧艺术
本文旨在以英国为例,揭示 20 世纪末 21 世纪初西方穆斯林社区戏剧艺术的特殊性。研究方法。运用了分析综合法、类型分析法、历史文化法、艺术研究法和理论概括法,有助于阐明西方穆斯林社区伊斯兰戏剧传统的特殊性及其在现代阶段的发展,确定英国穆斯林社区戏剧的特殊性和特征。科学新颖性。以英国为例,研究了西方穆斯林社区戏剧艺术的特殊性;在分析 "Khayaal 剧院 "戏剧活动作品的基础上,考虑了欧洲现代穆斯林社区代表对戏剧艺术的地位、作用和潜力的特殊理解;在保护伊斯兰戏剧传统的背景下,分析了多国伊斯兰英语教育学校 "SOBIS"(卡迪夫)的戏剧活动。结论伊斯兰世界丰富的文化和精神体验在西方穆斯林社区的作品中得到体现,对现代欧洲社会产生了显著影响。研究表明,20 世纪末和 21 世纪初西方穆斯林社区戏剧艺术的发展证明,在保留伊斯兰传统文化和宗教价值观的前提下,有选择地融入欧洲表演艺术的主流趋势,吸引多元文化。与伊斯兰历史、其视觉和建筑遗产直接相关的场景解决方案的独创性表达了穆斯林的思想和价值观。英国的主要穆斯林剧团有 Khayaal 剧团、Ulfa Arts、Arakan Creative、Muju 等。互动形式的戏剧,特别是论坛戏剧,可以成为就英国穆斯林身份问题进行互动和宣传的有力方式。英国穆斯林社区剧院活动的特点是:弘扬和普及伊斯兰哲学-美学、文学和艺术传统;发展多样化剧目,以吸引广大观众;促进文化间对话、传统与现代的互动、穆斯林与其他信仰和传统的人们之间的相互理解。
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