The Role of Performing Arts in Promoting Valued Communication Outcomes in Individuals With and Without Developmental Disabilities

Megan Durling, Krista Wilkinson, Michele Dunleavy
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Abstract

Although not often used in the area of speech and language instruction, performing arts (such as improvisation, instrumental, vocal, and dance performance) provide a context for self-expression that involves both structure and opportunities for self-expression and can offer an opportunity to contribute to a motivating activity in individual, unique ways. We describe a semester-long performing arts class in which students from various majors and with and without developmental disabilities together learn various performing art forms (specifically, improvisation, vocal performance, and diverse forms of dance) for the first half of the semester. The students work together the second half of the semester to create a final performance. Student reflections that were gathered during one semester (with approval from the institutional review board) were examined descriptively to provide student perspectives into the program and to help understand how the structure supported interpersonal relations. Student reflections suggested that the structure of learning the various performing arts resulted in establishment of authentic peer relationships through three pillars of friendship proposed by Finke (2016): (a) the opportunity to engage in fun and motivating activities, (b) the presence of repeated/multiple opportunities to engage in the activities together, and (c) the establishment of a safe environment where each individual's contribution added something of value to the activity. This descriptive analysis identified mechanisms by which performing arts can be a valuable context for supporting important social and communication goals in individuals with and without developmental disabilities.
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表演艺术在促进有发育障碍者和无发育障碍者的有价值交流成果中的作用
表演艺术(如即兴创作、器乐、声乐和舞蹈表演)虽然不常用于言语和语言教学领域,但它提供了一种既有结构又有自我表达机会的自我表达环境,并能提供以个人独特方式为激励活动做出贡献的机会。 我们介绍了一门为期一学期的表演艺术课,在这门课上,来自不同专业、有或没有发育障碍的学生在上半学期一起学习各种表演艺术形式(特别是即兴表演、声乐表演和各种形式的舞蹈)。下半学期,学生们将共同完成最后的表演。我们对一个学期中收集的学生反思(经机构审查委员会批准)进行了描述性研究,以提供学生对该计划的看法,并帮助了解该结构如何支持人际关系。 学生的反思表明,各种表演艺术的学习结构通过芬克(Finke,2016 年)提出的友谊的三大支柱建立了真实的同伴关系:(a)参与有趣和激励性活动的机会,(b)重复/多次共同参与活动的机会,以及(c)建立一个安全的环境,让每个人的贡献都能为活动增添价值。 这项描述性分析确定了一些机制,通过这些机制,表演艺术可以成为支持有发育障碍和无发育障碍的个人实现重要的社交和交流目标的重要环境。
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