Chinese Female Writer Zhang Yueran and Fictional Features of Her Prose

A. A. Kulikova
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Abstract

In this paper, the author analyzes the fiction of contemporary Chinese female writer Zhang Yueran (b. 1982). As a radiant and influential representative of the post-1980s generation in contemporary Chinese literature, Zhang Yueran is considered to be one of most talented and strong young writers. Post-1980s Chinese writers are known by depiction of young people’s lives in big cities with elements of magical realism, however, unlike the most Post-1980s Chinese writers, Zhang Yueran focuses more on the characters’ subjectivity and their pursuit of love (parental and romantic). Her complex characters thrive for love and happiness, but also suffer from loneliness and lack of parental attention. Zhang Yueran’s writing is visceral and almost poetic in its use of metaphor. The development of Zhang Yueran’s prose can be divided two key periods. Her early works are aesthetic psychological thrillers about unhealthy love, inspired by classical fairytales that end with a character’s death and self-destruction: while the language is beautiful and almost poetic, but there is a lack of narrative depth. In her second era, Zhang Yueran returns to realism and successfully combines style and deep narrative by contrasting scenes of cruelty and mercy. At the moment her latest novel “Cocoon” embodies all significant fictional features from the perspective of both style and narrative.
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中国女作家张悦然及其散文的虚构特征
本文作者分析了中国当代女作家张悦然(1982 年生)的小说。作为中国当代文学中光芒四射、影响深远的 "80后 "代表人物,张悦然被认为是最具才华和实力的青年作家之一。张悦然的作品以描写大城市年轻人的生活而著称,并带有魔幻现实主义的元素,但与大多数 80 后作家不同的是,她更关注人物的主体性以及他们对爱情(亲情和爱情)的追求。她笔下的人物性格复杂,既渴望爱情和幸福,又饱受孤独和缺乏父母关爱之苦。张悦然的文字内敛,对隐喻的运用近乎诗意。张悦然散文的发展可分为两个关键时期。她的早期作品是关于不健康爱情的唯美心理惊悚小说,灵感来自古典童话,以人物的死亡和自我毁灭为结局:虽然语言优美,近乎诗意,但缺乏叙事深度。在第二个时代,张悦然回归现实主义,通过残酷与仁慈场景的对比,成功地将风格与深度叙事结合起来。目前,她的新作《茧》从文体和叙事的角度体现了所有重要的小说特征。
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