{"title":"Harlem, USSR: Black Modernism in the Soviet Union, 1923–1937","authors":"Fedor Karmanov","doi":"10.1093/alh/ajae038","DOIUrl":null,"url":null,"abstract":"\n in translating the writing of Hughes and McKay, among others, Soviet intelligentsia conceived of Black poetry as an example of “socialist modernism”—a revolutionary poetry that made no compromises between aesthetic and political radicalism.","PeriodicalId":0,"journal":{"name":"","volume":"26 7‐8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/alh/ajae038","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
in translating the writing of Hughes and McKay, among others, Soviet intelligentsia conceived of Black poetry as an example of “socialist modernism”—a revolutionary poetry that made no compromises between aesthetic and political radicalism.
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