Poetik der Figur Rilkes und das Allegorische: Am Beispiel der Rose

IF 0.2 4区 社会学 Q4 AREA STUDIES German Studies Review Pub Date : 2024-05-01 DOI:10.1353/gsr.2024.a927857
Janet Hong
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Abstract

ABSTRACT: The rose motif in Rainer Maria Rilke’s poetry has been analyzed as a variable signifier through metaphorical, existential-philosophical, phenomenological, and even biographical approaches. However, many of these readings miss its self- referential nature. By contrast, based on Manfred Engel’s interpretive framework, deconstructive approaches, and working from two “thing-poems,” this article suggests that the rose can be read as an allegory for Rilke’s poetic text itself, and is an example of a figure to be found in his poetics of figure. Meanwhile, the rose is identified as an important key showing Rilke’s poetic development.
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里尔克的形象与寓言诗学:以玫瑰为例
ABSTRACT: 人们通过隐喻、存在主义哲学、现象学甚至传记学等方法,将雷纳-里尔克诗歌中的玫瑰主题作为一种可变的符号进行分析。然而,其中许多解读都忽略了其自指性质。相比之下,本文基于曼弗雷德-恩格尔(Manfred Engel)的阐释框架和解构主义方法,并从两首 "事物诗 "出发,认为玫瑰可被解读为里尔克诗歌文本本身的寓言,是其 "形象诗学 "中的一个形象范例。同时,玫瑰也被认为是显示里尔克诗歌发展的一把重要钥匙。
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来源期刊
CiteScore
0.20
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0.00%
发文量
71
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