{"title":"Competing Choreographies of the Postcolonial Plantation: Planter’s Pageantry Meets Sistren Collective’s Sweet Sugar Rage","authors":"Julia Michiko Hori","doi":"10.1080/02690055.2024.2315750","DOIUrl":null,"url":null,"abstract":"This essay examines the 1985 documentary film, Sweet Sugar Rage (co-directed by Honor Ford-Smith and Harclyde Walcott), and its methodologies of renewable resistance to the enduring choreographies ...","PeriodicalId":42817,"journal":{"name":"Wasafiri","volume":"43 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2024-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Wasafiri","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/02690055.2024.2315750","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
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Abstract
This essay examines the 1985 documentary film, Sweet Sugar Rage (co-directed by Honor Ford-Smith and Harclyde Walcott), and its methodologies of renewable resistance to the enduring choreographies ...
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