{"title":"Deluge and fertility: early monuments to administrators of British India in St Paul’s Cathedral, 1804–1835","authors":"M. G. Sullivan","doi":"10.3828/sj.2024.33.2.05","DOIUrl":null,"url":null,"abstract":"\n Two early nineteenth-century monuments in St Paul’s register the growing significance of the empire in India: John Bacon Sr and Jr’s monument to Bengal judge William Jones, and J. C. F. Rossi’s monument to the Governor General, Lord Cornwallis; the artists took the opportunity to explore the possibilities of Hindu art and Indian culture within the Christian space of St Paul’s. This article looks at the origins of the iconography of the two monuments, suggesting how the juxtaposition of classical, Christian and Hindu motifs in the monument to Jones suggested Bacon’s promulgation of a type of visual religious teaching, homologous with Jones’s comparative religious studies, while Rossi elaborated a theme of fertility using a mixture of themes from contemporary land reform and the Hindu\n Ramayana\n .\n","PeriodicalId":21666,"journal":{"name":"Sculpture Journal","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Sculpture Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/sj.2024.33.2.05","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
Two early nineteenth-century monuments in St Paul’s register the growing significance of the empire in India: John Bacon Sr and Jr’s monument to Bengal judge William Jones, and J. C. F. Rossi’s monument to the Governor General, Lord Cornwallis; the artists took the opportunity to explore the possibilities of Hindu art and Indian culture within the Christian space of St Paul’s. This article looks at the origins of the iconography of the two monuments, suggesting how the juxtaposition of classical, Christian and Hindu motifs in the monument to Jones suggested Bacon’s promulgation of a type of visual religious teaching, homologous with Jones’s comparative religious studies, while Rossi elaborated a theme of fertility using a mixture of themes from contemporary land reform and the Hindu
Ramayana
.
圣保罗教堂 19 世纪早期的两座纪念碑反映了帝国在印度日益增长的重要性:老约翰-培根和小约翰-培根为孟加拉法官威廉-琼斯 (William Jones) 树立的纪念碑,以及 J. C. F. 罗西为总督康沃利斯勋爵 (Lord Cornwallis) 树立的纪念碑;艺术家们借此机会在圣保罗的基督教空间中探索印度艺术和印度文化的可能性。本文探讨了这两座纪念碑图标的起源,指出琼斯纪念碑中古典、基督教和印度教图案的并置如何表明培根颁布了一种视觉宗教教义,这与琼斯的比较宗教研究是同源的,而罗西则利用当代土地改革和印度教《罗摩衍那》的混合主题阐述了生育的主题。