Monuments to ‘settlement’: Australia in St Paul’s Cathedral, 1888–1913

IF 0.3 3区 艺术学 N/A ART Sculpture Journal Pub Date : 2024-06-01 DOI:10.3828/sj.2024.33.2.13
Kate Nichols
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Abstract

This article conceptualizes the relatively small and visually modest presence of Australia in St Paul’s as monuments to British ‘settlement’, rather than invasion. It examines three plaques to politicians and colonial Governors General, and the presence of Australia in the larger-scale memorial to the South African War (1899–1901). I argue that these monuments naturalized the idea of Australia as a place of peaceful White settlement, contributed to the formation of global White settler identities, and relocated violence and warfare primarily to the African continent. I employ Goenpul woman and feminist scholar Aileen Moreton-Robinson’s notion of ‘white possessive logics’ to explore how these monuments work to legitimize Indigenous dispossession in the heart of the British metropole.
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定居 "纪念碑:圣保罗大教堂中的澳大利亚,1888-1913 年
本文将澳大利亚在大三巴牌坊中相对较小且视觉效果一般的存在概念化为英国 "定居 "而非入侵的纪念碑。文章研究了三块纪念政治家和殖民总督的牌匾,以及澳大利亚在南非战争(1899-1901 年)大型纪念碑中的存在。我认为,这些纪念碑将澳大利亚作为白人和平定居地的理念归化,促进了全球白人定居者身份的形成,并将暴力和战争主要转移到非洲大陆。我运用戈恩布尔妇女和女权主义学者艾琳-莫尔顿-罗宾逊(Aileen Moreton-Robinson)的 "白人占有逻辑 "概念,探讨这些纪念碑如何在英国大都会的中心地带使土著人的剥夺合法化。
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32
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