Asking questions of nature: Art as a catalyst for ecological consciousness

Patrick M. Lydon
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Abstract

The challenge of breaking through preconceived societal norms and narratives is a common hurdle in advocating for transformative ideas. Cultural conditioning and the expectations placed on individuals and institutions are powerful forces, and they often keep new ways of seeing — and ideas like Nature-Based Solutions (NBS) — trapped in conventional patterns of thought and behavior. This paper suggests alternatives for connecting to these alternative ways of seeing through artist-led exhibitions and interventions that not only ask questions of nature, but also allow nature to ask questions of us. We look at five projects by City as Nature studio, including “Forest is the Artist” an exhibition which gives agency to a Korean forest, and a concept restaurant “World's Slowest Restaurant” where the artist makes customers wait for 6–8 weeks for their meal to be grown. Common to all of the artworks explored in this paper, is the view of nature as a partner. This view allows us to start from an acknowledgment of the human disconnect from nature, and proceed to explore the transformative potential of mending this disconnect by collaborating directly with nature in various ways. To achieve this, we use art as a way of giving human beings new stories, new spaces, and new social permissions that allow us to question norms and explore our own connection to the natural world. The outcomes suggest that the process of seeing ourselves as “ecological beings” does not necessarily require complex or elaborate interventions, but merely the opportunity to pause, reflect, and interact with the world in more profound ways. Through the views, examples, and outcomes in this paper, we find simple methods available to both scientists and the public alike, that can help us adopt more sustainable and meaningful ways of seeing. A valuable perspective for NBS professionals, this paper also highlights how the success of NBS is tied not only to quantitative results, but also to each individual's ability to foster real relationships, a sense of belonging, awe, and reverence for and with all of nature. It also suggests that this is achievable.

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向自然发问:艺术作为生态意识的催化剂
突破先入为主的社会规范和叙事是倡导变革理念的常见障碍。文化条件以及对个人和机构寄予的期望是一种强大的力量,它们常常使新的观察方式--以及像基于自然的解决方案(NBS)这样的理念--被困在传统的思想和行为模式中。本文通过由艺术家主导的展览和干预活动,提出了与这些另类观察方式建立联系的替代方案,这些展览和干预活动不仅向自然提出问题,也让自然向我们提出问题。我们研究了 "城市即自然 "工作室的五个项目,其中包括 "森林即艺术家 "展览,该展览赋予韩国森林以权力,以及 "世界上最慢的餐厅 "概念餐厅,在该餐厅中,艺术家让顾客等待 6-8 周,等待他们的食物被种植出来。本文探讨的所有艺术作品的共同点是将自然视为合作伙伴。这种观点让我们认识到人类与自然的脱节,并进而探索通过各种方式直接与自然合作来弥补这种脱节的变革潜力。为了实现这一目标,我们将艺术作为一种方式,赋予人类新的故事、新的空间和新的社会权限,使我们能够质疑规范并探索自身与自然世界的联系。这些成果表明,将我们自己视为 "生态人 "的过程并不一定需要复杂或精心的干预,而仅仅是有机会停下来,进行反思,并以更深刻的方式与世界互动。通过本文中的观点、例子和结果,我们发现科学家和公众都可以使用的简单方法,可以帮助我们采用更可持续和更有意义的观察方式。作为国家生物多样性战略专业人员的一个宝贵视角,本文还强调了国家生物多样性战略的成功不仅与量化结果有关,还与每个人培养真实关系的能力、归属感、敬畏感以及对大自然的敬畏有关。本文还指出,这是可以实现的。
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