From pictures to employments: later Wittgenstein on ‘the infinite’

Philip Bold
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Abstract

With respect to the metaphysics of infinity, the tendency of standard debates is to either endorse or to deny the reality of ‘the infinite’. But how should we understand the notion of ‘reality’ employed in stating these options? Wittgenstein’s critical strategy shows that the notion is grounded in a confusion: talk of infinity naturally takes hold of one’s imagination due to the sway of verbal pictures and analogies suggested by our words. This is the source of various philosophical pictures that in turn give rise to the standard metaphysical debates: that the mathematics of infinity corresponds to a special realm of infinite objects, that the infinite is profoundly huge or vast, or that the ability to think about infinity reveals mysterious powers in human beings. First, I explain Wittgenstein’s general strategy for undermining philosophical pictures of ‘the infinite’ – as he describes it in Zettel ; and then show how that critical strategy is applied to Cantor’s diagonalization proof in Remarks on the Foundations of Mathematics II.
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从图画到就业:后期维特根斯坦论 "无限
关于 "无限 "的形而上学,标准的辩论倾向于赞同或否认 "无限 "的现实性。但是,我们应该如何理解在阐述这些选择时所使用的 "现实 "概念呢?维特根斯坦的批判策略表明,这一概念的基础是一种混淆:由于我们的言语所暗示的言语图景和类比的影响,关于无限的谈论会自然而然地占据人们的想象力。这就是各种哲学图景的来源,而这些图景反过来又引起了标准的形而上学争论:无限的数学对应于无限对象的特殊领域,无限是深邃的巨大或广阔,或者思考无限的能力揭示了人类的神秘力量。首先,我将解释维特根斯坦破坏 "无限 "哲学图景的一般策略--正如他在《泽特尔》一书中所描述的那样;然后,我将展示这一批判策略是如何应用于康托尔在《数学基础注释 II》中的对角线化证明的。
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