There’s more Spain beyond the sea? Contemporary documentaries on Equatorial Guinea

IF 0.2 0 FILM, RADIO, TELEVISION Journal of African Cinemas Pub Date : 2024-06-10 DOI:10.1386/jac_00095_1
Alejandra Val Cubero
{"title":"There’s more Spain beyond the sea? Contemporary documentaries on Equatorial Guinea","authors":"Alejandra Val Cubero","doi":"10.1386/jac_00095_1","DOIUrl":null,"url":null,"abstract":"In the last decade of the twenty-first century, the colonial issue between Spain and Equatorial Guinea has been approached with greater interest than in previous periods, and numerous theses, research works and books have attempted to broach an issue that is little known in Spanish society. We start from the hypothesis that colonial relations between Spain and Africa are gaining greater interest in the Spanish academic world, and especially in the artistic field; where a notable number of film directors have dealt with the subject of Equatorial Guinea in their documentaries, in an attempt to seek keys to understanding aspects related to colonialism, racism, memory and Afro-descendance. This article presents five contemporary documentary films. These documentaries are: Un día vi diez mil elefantes (One Day I Saw 10,000 Elephants) (Guimerà and Pajares 2015: 00:77:00); El escritor de un país sin librerías (The Writer from a Country without Bookstores) (Serena 2019: 00:79:00), Manolito Nguema (Grunfeld 2019: 00:85:00); Anunciaron Tormenta (A Storm Was Coming) (Vázquez 2020: 00:88:00) and A todos nos gusta el plátano (We all Like Plantain) (Bermúdez 2021: 00:60:00).","PeriodicalId":41188,"journal":{"name":"Journal of African Cinemas","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2024-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of African Cinemas","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jac_00095_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0

Abstract

In the last decade of the twenty-first century, the colonial issue between Spain and Equatorial Guinea has been approached with greater interest than in previous periods, and numerous theses, research works and books have attempted to broach an issue that is little known in Spanish society. We start from the hypothesis that colonial relations between Spain and Africa are gaining greater interest in the Spanish academic world, and especially in the artistic field; where a notable number of film directors have dealt with the subject of Equatorial Guinea in their documentaries, in an attempt to seek keys to understanding aspects related to colonialism, racism, memory and Afro-descendance. This article presents five contemporary documentary films. These documentaries are: Un día vi diez mil elefantes (One Day I Saw 10,000 Elephants) (Guimerà and Pajares 2015: 00:77:00); El escritor de un país sin librerías (The Writer from a Country without Bookstores) (Serena 2019: 00:79:00), Manolito Nguema (Grunfeld 2019: 00:85:00); Anunciaron Tormenta (A Storm Was Coming) (Vázquez 2020: 00:88:00) and A todos nos gusta el plátano (We all Like Plantain) (Bermúdez 2021: 00:60:00).
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
海边还有西班牙?关于赤道几内亚的当代纪录片
在二十一世纪的最后十年,西班牙与赤道几内亚之间的殖民地问题受到了比以往更 大的关注,许多论文、研究著作和书籍都试图探讨这个在西班牙社会鲜为人知的问题。我们的出发点是,西班牙学术界,尤其是艺术界,对西班牙与非洲之间的殖民关系越来越感兴趣;在艺术界,有相当数量的电影导演在其纪录片中涉及赤道几内亚这一主题,试图寻找理解殖民主义、种族主义、记忆和非洲后裔等相关方面的关键。本文介绍五部当代纪录片。这些纪录片是Un día vi diez mil elefantes (One Day I Saw 10,000 Elephants) (Guimerà and Pajares 2015: 00:77:00);El escritor de un país sin librerías (The Writer from a Country without Bookstores) (Serena 2019:00:79:00), Manolito Nguema (Grunfeld 2019: 00:85:00); Anunciaron Tormenta (A Storm Was Coming) (Vázquez 2020: 00:88:00) and A todos nos gusta el plátano (We all Like Plantain) (Bermúdez 2021: 00:60:00).
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
Journal of African Cinemas
Journal of African Cinemas FILM, RADIO, TELEVISION-
CiteScore
0.40
自引率
0.00%
发文量
0
期刊介绍: The Journal of African Cinemas will explore the interactions of visual and verbal narratives in African film. It recognizes the shifting paradigms that have defined and continue to define African cinemas. Identity and perception are interrogated in relation to their positions within diverse African film languages. The editors are seeking papers that expound on the identity or identities of Africa and its peoples represented in film. The aim is to create a forum for debate that will promote inter-disciplinarity between cinema and other visual and rhetorical forms of representation.
期刊最新文献
There’s more Spain beyond the sea? Contemporary documentaries on Equatorial Guinea Africa’s Lost Classics: New Histories of African Cinema, Lizelle Bisschoff and David Murphy (eds) (2014) The Battle of Algiers, Alan O’Leary (2019) Space and Time in African Cinema and Cine-scapes, Kenneth W. Harrow (2022) The 21st Century Film, TV & Media School: Challenges, Clashes, Changes, Maria Dora Mourão, Stanislav Semerdjiev, Cecília Mello and Alan Taylor (eds) (2016)
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1