{"title":"Shifting sands of the past and the present in drama of the New South Africa: Neil Coppen’s\n Tin Bucket Drum\n and Nadia Davids’\n What Remains","authors":"Owen Seda, Connie Rapoo","doi":"10.1080/10137548.2024.2354189","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":42236,"journal":{"name":"South African Theatre Journal","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2024-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"South African Theatre Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10137548.2024.2354189","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
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