Summer Magic: Creating a Sense of Welcome Back to Performance

IF 0.2 3区 艺术学 N/A THEATER CANADIAN THEATRE REVIEW Pub Date : 2024-06-01 DOI:10.3138/ctr.197.004
S. Ware
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Abstract

This article explores the welcome created by the immersive movement work, welcome, we’ve been waiting, by Rodney Diverlus. As the first show back in the theatre for many, welcome, we’ve been waiting is a performance in three parts that takes place pre-entrance on a city street, in the stairwell at the building’s entrance, and on stage in the theatre. The community built through audience engagement meant that the theatre space felt more like a community reunion or kiki than a traditional theatre. Through planning for how we would feel, Diverlus created a welcome that lingers long after the performance. Considering the mechanics, dynamics and aesthetics video game design method, Ware explores how designing for feeling created a space where we all felt welcomed back into theatre in a deep and lasting way.
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夏日魔力:营造欢迎重返演出的氛围
这篇文章探讨了罗德尼-迪弗鲁斯(Rodney Diverlus)的沉浸式动作作品《欢迎,我们一直在等待》所营造的欢迎氛围。作为许多人重返剧院的首场演出,《欢迎,我们一直在等待》的表演分为三个部分,分别在入场前的城市街道、大楼入口的楼梯间和剧院的舞台上进行。通过观众参与建立起来的社区意味着剧院空间更像是一个社区聚会或 Kiki,而不是传统的剧院。通过规划我们的感受,Diverlus 营造出了一种在演出结束后仍久久不散的欢迎氛围。考虑到视频游戏设计方法的机制、动态和美学,Ware 探讨了如何为感觉设计创造一个空间,让我们都能深刻而持久地感受到剧院对我们的欢迎。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.30
自引率
33.30%
发文量
54
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