{"title":"“The End of Our World”: Transnational Feminist Literary Practice and the Right to Self-Determination","authors":"Crystal Parikh","doi":"10.1353/aq.2024.a929164","DOIUrl":null,"url":null,"abstract":"Abstract:This essay considers how a transnational feminist literary practice, one that proceeds through the modality of rereading and rewriting, opens up the meaning and possibilities for the right to self-determination, against and beyond the settler state sovereignty into which it has hardened. It examines the 1995 short story “My Elizabeth,” by the Arab American writer Diana Abu-Jaber, as an unexpected source of political theory, which rewrites self-determination from the perspective of occupied peoples—namely, Native peoples in the United States and Palestinians—subject to ongoing settler colonialism. Abu-Jaber’s portrait of intimacies between subjects “in transit” imagines how “radical futures past” become the source of alternate affective and political communities in the present.","PeriodicalId":0,"journal":{"name":"","volume":"37 6","pages":"217 - 240"},"PeriodicalIF":0.0,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/aq.2024.a929164","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:This essay considers how a transnational feminist literary practice, one that proceeds through the modality of rereading and rewriting, opens up the meaning and possibilities for the right to self-determination, against and beyond the settler state sovereignty into which it has hardened. It examines the 1995 short story “My Elizabeth,” by the Arab American writer Diana Abu-Jaber, as an unexpected source of political theory, which rewrites self-determination from the perspective of occupied peoples—namely, Native peoples in the United States and Palestinians—subject to ongoing settler colonialism. Abu-Jaber’s portrait of intimacies between subjects “in transit” imagines how “radical futures past” become the source of alternate affective and political communities in the present.