{"title":"Curating the Past","authors":"Mariana Imaz-Sheinbaum","doi":"10.1163/18722636-12341526","DOIUrl":null,"url":null,"abstract":"<p>We talk about curatorship as a process in which someone carefully and thoughtfully chooses and organizes a way to present particular artworks to the public. Some have theorized that curating an art exhibit and exercising the selection and organization of artworks is very similar to telling a story. This analogy invites us to expand it and reflect on how it can help illuminate what historians do as storytellers of the past. The central point of this paper is to think of historical work as a curatorial practice. This, in turn, allows us to understand the constructive enterprise that historians engage in and challenge a rooted and prevalent commitment in the historical discipline that the past is discovered rather than constructed. Historians as curators of the past select and organize undetermined materials that become determined when subsumed under a narrative that bestows the past with a particular meaning. The analogy also serves to clarify that no epistemic or metaphysical tension need exist between a notion of the real and an acknowledgment of narrative construction.</p>","PeriodicalId":43541,"journal":{"name":"Journal of the Philosophy of History","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2024-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the Philosophy of History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/18722636-12341526","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 0
Abstract
We talk about curatorship as a process in which someone carefully and thoughtfully chooses and organizes a way to present particular artworks to the public. Some have theorized that curating an art exhibit and exercising the selection and organization of artworks is very similar to telling a story. This analogy invites us to expand it and reflect on how it can help illuminate what historians do as storytellers of the past. The central point of this paper is to think of historical work as a curatorial practice. This, in turn, allows us to understand the constructive enterprise that historians engage in and challenge a rooted and prevalent commitment in the historical discipline that the past is discovered rather than constructed. Historians as curators of the past select and organize undetermined materials that become determined when subsumed under a narrative that bestows the past with a particular meaning. The analogy also serves to clarify that no epistemic or metaphysical tension need exist between a notion of the real and an acknowledgment of narrative construction.
期刊介绍:
Philosophy of history is a rapidly expanding area. There is growing interest today in: what constitutes knowledge of the past, the ontology of past events, the relationship of language to the past, and the nature of representations of the past. These interests are distinct from – although connected with – contemporary epistemology, philosophy of science, metaphysics, philosophy of language, and aesthetics. Hence we need a distinct venue in which philosophers can explore these issues. Journal of the Philosophy of History provides such a venue. Ever since neo-Kantianism, philosophy of history has been central to all of philosophy, whether or not particular philosophers recognized its potential significance.