Donald Duck goes south: Walt Disney and the Inter-American relations

András Lénárt
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Abstract

In the 1930s, with the rise of fascism and Nazism in Europe, President Franklin Delano Roosevelt believed that the United States would soon need the sympathy and cooperation of Latin America. His Good Neighbor policy sought to improve relations between the countries of the Americas. Walt Disney was commissioned by Nelson D. Rockefeller, who was in charge of inter-American relations, to make a goodwill tour of Latin America in search of inspiration for films about the region. He and his group met with politicians and artists, researched local cultures, and personally experienced the region’s society, geography and wildlife. As a result of these experiences, Latin America became the setting for two Disney films in the 1940s, Saludos Amigos (Norman Ferguson, 1942) and The Three Caballeros (Norman Ferguson, 1944). The aim of this article is to describe the key role played by Walt Disney and his cartoon characters (especially Donald Duck) in the transformation of inter-American relations, especially from the aspect of culture.
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唐老鸭南下沃尔特-迪斯尼与美洲关系
20 世纪 30 年代,随着法西斯主义和纳粹主义在欧洲的兴起,富兰克林-德拉诺-罗斯福总统认为,美国很快就会需要拉丁美洲的同情与合作。他的睦邻政策旨在改善美洲国家之间的关系。负责美洲国家间关系的纳尔逊-洛克菲勒委托沃尔特-迪斯尼对拉丁美洲进行友好访问,为有关该地区的电影寻找灵感。他和他的团队会见了政治家和艺术家,研究了当地文化,并亲自体验了该地区的社会、地理和野生动物。这些经历使拉丁美洲成为 20 世纪 40 年代两部迪斯尼电影《Saludos Amigos》(诺曼-弗格森,1942 年)和《The Three Caballeros》(诺曼-弗格森,1944 年)的背景。本文旨在描述沃尔特-迪斯尼和他的卡通人物(尤其是唐老鸭)在美洲关系的转变中所发挥的关键作用,特别是从文化方面。
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