Using digital technology to engage people with varying degrees of sight loss with archives and filmmaking during COVID-19

Laura Aguiar, Lynsey Gillespie
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Abstract

When the Covid-19 pandemic reached Europe in March 2020, the official archive for Northern Ireland, PRONI (Public Record Office of Northern Ireland) was forced to close its doors and move all work online, including its outreach programmes. One of the people to benefit from the programme was a group with different degrees of sight loss from the Royal National Institute for the Blind (RNIB). Ten people aged 20-60s took part in Everyday is a School Day, an eight-week filmmaking project which used Zoom and smartphone filmmaking to connect them with PRONI’s archives and help them make short films about their experiences of education in 2021. A year later we brought the group back to PRONI for a second project, Music Tales, which helped them continue to develop filmmaking skills and to delve deeper into the archives and explore the role of music in their lives. In this article, we take the two projects as case studies and use a reflective methodology to analyse how Zoom technology and a participatory approach to filmmaking were used to enable the group to engage with archives and learn how to tell their stories through film.
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在 COVID-19 期间利用数字技术让不同程度失明的人参与档案和电影制作
2020 年 3 月,Covid-19 大流行病蔓延至欧洲,北爱尔兰官方档案馆 PRONI(北爱尔兰公共档案局)被迫关闭,并将所有工作转移到网上,包括其外联计划。该计划的受益者之一是英国皇家盲人协会(RNIB)的一群不同程度失明的人。十名 20-60 岁的人参加了 "每天都是上学日 "项目,这是一个为期八周的电影制作项目,使用 Zoom 和智能手机制作电影,将他们与 PRONI 的档案联系起来,帮助他们制作短片,讲述他们在 2021 年的教育经历。一年后,我们将他们带回公共艺术学院,开展第二个项目 "音乐故事",帮助他们继续发展电影制作技能,深入档案,探索音乐在他们生活中的作用。在这篇文章中,我们将这两个项目作为案例研究,并使用反思方法来分析如何使用中联技术和参与式电影制作方法,使小组能够接触档案并学习如何通过电影讲述他们的故事。
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