Perceptual Comparison of Dynamic Binaural Reproduction Methods for Sparse Head-Mounted Microphone Arrays

IF 1.1 4区 工程技术 Q3 ACOUSTICS Journal of the Audio Engineering Society Pub Date : 2024-07-18 DOI:10.17743/jaes.2022.0140
Benjamin Stahl, Stefan Riedel
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Abstract

This paper presents results of a listening experiment evaluating three-degrees-of-freedom binaural reproduction of head-mounted microphone array signals. The methods are applied to an array of five microphones whose signals were simulated for static and dynamic array orientations. Methods under test involve scene-agnostic binaural reproduction methods as well as methods that have knowledge of (a subset of) source directions. The results of an instrumental evaluation reveal errors in the reproduction of interaural level and time differences for all scene-agnostic methods, which are smallest for the end-to-end magnitude-least-squares method. Additionally, the inherent localization robustness of the array under test and different simulated microphone arrays is investigated and discussed, which is of interest for a parametric reproduction method included in the study. In the listening experiment, the end-to-end magnitude-least-squares reproduction method outperforms other scene-agnostic approaches. Above all, linearly constrained beamformers using known source directions in combination with the end-to-end magnitude-least-squares method outcompete the scene-agnostic methods in perceived quality, especially for a rotating microphone array under anechoic conditions.
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稀疏头戴式麦克风阵列动态双耳再现方法的感知比较
本文介绍了评估头戴式麦克风阵列信号的三自由度双耳再现的听力实验结果。这些方法适用于由五个麦克风组成的阵列,其信号是针对静态和动态阵列方向进行模拟的。测试的方法包括与场景无关的双耳再现方法以及了解(部分)声源方向的方法。仪器评估的结果显示,所有场景无关的方法在再现耳际电平和时间差方面都存在误差,其中端到端幅度最小二乘法的误差最小。此外,还对被测阵列和不同模拟麦克风阵列固有的定位稳健性进行了研究和讨论,这对研究中的参数再现方法很有意义。在听音实验中,端到端幅度最小二乘重现方法优于其他场景识别方法。最重要的是,使用已知声源方向的线性约束波束形成器与端到端幅度最小二乘法相结合,在感知质量上优于场景无关方法,尤其是在消声条件下的旋转传声器阵列。
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来源期刊
Journal of the Audio Engineering Society
Journal of the Audio Engineering Society 工程技术-工程:综合
CiteScore
3.50
自引率
14.30%
发文量
53
审稿时长
1 months
期刊介绍: The Journal of the Audio Engineering Society — the official publication of the AES — is the only peer-reviewed journal devoted exclusively to audio technology. Published 10 times each year, it is available to all AES members and subscribers. The Journal contains state-of-the-art technical papers and engineering reports; feature articles covering timely topics; pre and post reports of AES conventions and other society activities; news from AES sections around the world; Standards and Education Committee work; membership news, patents, new products, and newsworthy developments in the field of audio.
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