Ouyang Xun – the Systematist Praising the Emperor

A. Zelnitskiy
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Abstract

Ouyang Xun is an outstanding cultural figure of the early period of Tang Empire, best known as the creator of his style of calligraphy. Nevertheless, it is also known that he was an exceptional polymath and a person close to the ruling house of empire, and such social status along with his competence manifested themself in different areas of Ouyang Xun’s work; this article examines two of its aspects: taxonomy and writing of official documents glorifying the emperor. In the first area, Ouyang Xun acted as the main compiler and author of the great encyclope­dia Yiwen leiju. Here he contributed to the expansion of the set of topics covered in such reference books. In particular, it was in this collection that the headings devoted to the topics of Buddhism and Taoism appeared for the first time. In the second area, Ouyang Xun became the creator of the earliest known official document, which explicitly stated the relationship of the ruling house of Tang and Lao-zi. In addition, this document continued the tradition of considering Lao-zi as the founder of Taoism and formed the image of Taoism as a doctrine close to Confucianism based on the classical literary heritage.
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欧阳询--赞美皇帝的系统论者
欧阳询是唐帝国早期的杰出文化人物,以其书法风格的创造者而闻名于世。然而,众所周知,他也是一位杰出的多面手和帝国统治者的亲信,这种社会地位和他的能力体现在欧阳询工作的不同领域;本文将探讨其中的两个方面:分类学和撰写颂扬皇帝的官方文件。在第一个领域,欧阳询是大型百科全书《艺文类聚》的主要编纂者和作者。在这方面,他为扩大此类参考书的主题范围做出了贡献。特别是在这套书中,首次出现了佛教和道教的专题标题。在第二个领域,欧阳询成为已知最早的官方文件的创造者,该文件明确说明了唐朝统治者与老子的关系。此外,该文献延续了将老子视为道教创始人的传统,并在古典文学遗产的基础上形成了道教作为一种接近儒家学说的形象。
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