{"title":"Hidden in plain sight: the covering of patients' eyes and a microethics of medical photography.","authors":"Christine Slobogin","doi":"10.1136/medhum-2024-012894","DOIUrl":null,"url":null,"abstract":"<p><p>This article uses the author's experience of researching historical photographs of facial injury and surgical reconstruction to think through the ethics of writing about and publishing images of patients anonymised by excising or covering their eyes. This article specifically highlights tensions between the <i>British Medical Journal</i>'s guidelines for patient anonymity in imagery and those of the archives of the British Association of Plastic, Reconstructive and Aesthetic Surgeons. The rules for reproducing these sensitive images are not standardised across disciplines nor across journals and medical archives. But by using lived academic experience, visual analysis and philosophical enquiry, a flexible personal directive (or microethics) for working with these images can be reached.In order to more fully understand where the present-day suggestion of and debates around blocking out patients' eyes for anonymity come from, this ethical analysis is tied back to the historical precedent of Harold Gillies' 1920 publication <i>Plastic Surgery of the Face</i>, in which civilians' eyes are covered. Theories of looking and of photography unpick some of the complex ideas that these images raise regarding patient agency in medical imagery. This article will have direct application for any researcher grappling with similarly difficult material wondering how to frame their own microethics or ethics in practice for discussing, showing or publishing these types of images.</p>","PeriodicalId":46435,"journal":{"name":"Medical Humanities","volume":" ","pages":"770-778"},"PeriodicalIF":1.2000,"publicationDate":"2025-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Medical Humanities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1136/medhum-2024-012894","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
This article uses the author's experience of researching historical photographs of facial injury and surgical reconstruction to think through the ethics of writing about and publishing images of patients anonymised by excising or covering their eyes. This article specifically highlights tensions between the British Medical Journal's guidelines for patient anonymity in imagery and those of the archives of the British Association of Plastic, Reconstructive and Aesthetic Surgeons. The rules for reproducing these sensitive images are not standardised across disciplines nor across journals and medical archives. But by using lived academic experience, visual analysis and philosophical enquiry, a flexible personal directive (or microethics) for working with these images can be reached.In order to more fully understand where the present-day suggestion of and debates around blocking out patients' eyes for anonymity come from, this ethical analysis is tied back to the historical precedent of Harold Gillies' 1920 publication Plastic Surgery of the Face, in which civilians' eyes are covered. Theories of looking and of photography unpick some of the complex ideas that these images raise regarding patient agency in medical imagery. This article will have direct application for any researcher grappling with similarly difficult material wondering how to frame their own microethics or ethics in practice for discussing, showing or publishing these types of images.
这篇文章利用作者研究面部损伤和手术重建历史照片的经验,对通过切除或遮住眼睛来匿名的患者图像的写作和出版伦理进行了思考。本文特别强调了《英国医学杂志》与英国整形、修复和美容外科医生协会档案馆之间在患者匿名图像方面的紧张关系。复制这些敏感图像的规则在不同学科、不同期刊和医学档案中并不统一。为了更全面地理解现今为匿名而遮住病人眼睛的建议和争论的来源,我们将这一伦理分析与哈罗德-吉利斯(Harold Gillies)1920 年出版的《面部整形手术》(Plastic Surgery of the Face)中遮住平民眼睛的历史先例联系起来。观看理论和摄影理论揭示了这些图像所引发的一些复杂想法,即医疗图像中的病人代理权。这篇文章对任何研究人员都有直接的借鉴意义,因为研究人员在处理类似的困难材料时,都会琢磨如何在讨论、展示或出版这些类型的图像时构建自己的微观伦理或实践伦理。
期刊介绍:
Occupational and Environmental Medicine (OEM) is an international peer reviewed journal concerned with areas of current importance in occupational medicine and environmental health issues throughout the world. Original contributions include epidemiological, physiological and psychological studies of occupational and environmental health hazards as well as toxicological studies of materials posing human health risks. A CPD/CME series aims to help visitors in continuing their professional development. A World at Work series describes workplace hazards and protetctive measures in different workplaces worldwide. A correspondence section provides a forum for debate and notification of preliminary findings.