Charles Fleetwood, the 1744 Drury Lane Riots, and Pricing Practices in Eighteenth-Century British Theatre

IF 0.2 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Journal for Eighteenth-Century Studies Pub Date : 2024-08-09 DOI:10.1111/1754-0208.12956
Leo Shipp
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Abstract

In November 1744, a series of riots broke out at Drury Lane theatre, forcing its proprietor, Charles Fleetwood, to sell his majority share of the theatrical patent. Theatre scholarship has long held that the riots were caused by Fleetwood's attempt to raise admission prices for old pantomimes, yet also, somewhat contradictorily, has maintained that admission prices definitively increased at London's patent theatres in the period around 1740. This article shows both points to be mistaken: prices did not rise in the period, and Fleetwood was forced out due to a range of grievances that had developed over the preceding decade. By revealing how pricing practices, Fleetwood's tenure, and the riots developed, this article provides new insights on a crucial period in London's theatre history (the 1730s–40s) and on the wider social and economic dynamics of Georgian theatregoing.

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查尔斯-弗利特伍德、1744 年德鲁里巷暴乱和十八世纪英国剧院的定价惯例
1744 年 11 月,德鲁里巷剧院爆发了一系列骚乱,迫使剧院所有人查尔斯-弗利特伍德(Charles Fleetwood)出售了他在剧院专利权中的大部分股份。长期以来,戏剧学术界一直认为骚乱的起因是弗利特伍德试图提高老版哑剧的票价,但同时又有些自相矛盾地认为,伦敦专利剧院的票价在 1740 年前后已明确上涨。本文指出这两种观点都是错误的:这一时期的票价并没有上涨,弗利特伍德是由于前十年间产生的一系列不满情绪而被迫离开剧院的。通过揭示定价惯例、弗利特伍德的任期和骚乱的发展过程,这篇文章为伦敦剧院历史上的一个关键时期(1730-40 年代)以及乔治亚时期剧院的更广泛的社会和经济动态提供了新的见解。
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来源期刊
Journal for Eighteenth-Century Studies
Journal for Eighteenth-Century Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
自引率
25.00%
发文量
59
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