Contributors

IF 0.4 4区 历史学 Q1 HISTORY SOUTHERN CULTURES Pub Date : 2024-08-16 DOI:10.1353/scu.2024.a934721
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Barrow is a founding member of Gallery of the Streets, a national network of artists, activists, and scholars who work at the nexus of art, political education, social change, and community engagement.</p> <p><strong><small>diamond forde</small></strong>'s debut collection, <em>Mother Body</em>, is the winner of the 2019 Saturnalia Poetry Prize. Forde has received a Pink Poetry Prize and a Furious Flower Poetry Prize, and she was a finalist for the 2022 Kate Tufts Discovery Award. Forde's work has appeared in <em>Poetry, Obsidian, Massachusetts Review</em>, and more.</p> <p><strong><small>sally greene</small></strong> is an independent scholar in Chapel Hill, NC. Her most recent publication is <em>The Edward Tales</em> (University Press of Mississippi, 2022), a collection of works by Elizabeth Spencer, for which she wrote a critical introduction. <em>Southern Cultures</em> published her essay \"Judge Thomas Ruffin and the Shadows of Southern History.\"</p> <p><strong><small>alexis pauline gumbs</small></strong> is a queer Black feminist love evangelist and an aspirational cousin to all life. She is the author of several books, most recently the biography <em>Survival Is a Promise: The Eternal Life of Audre Lorde</em>. She lives and loves in Durham, NC.</p> <p><strong><small>letitia huckaby</small></strong> is an acclaimed photographer who explores Black American heritage, cultural traditions, and faith. Her work is included in the collections of the Library of Congress, the McNay Art Museum, and the Samella Lewis Contemporary Art Collection at Scripps College, among others. She is an assistant professor in the College of Visual Arts and Design at the University of North Texas.</p> <p><strong><small>jovonna jones</small></strong> is an assistant professor of African American literature and culture at Boston College, working at the intersections of Black aesthetics, Black feminist criticism, and the built environment. Her writing has been published in <em>Aperture, Boston Art Review, Callaloo, Souls, Southern Cultures</em>, and MCA Chicago. Her current project examines Black women's tenant organizing in Boston.</p> <p><strong><small>michelle lanier</small></strong> is a scholar, oral historian, geographer, filmmaker, museum professional, and folklorist. Her deep roots, in what she calls AfroCarolina, inspire her multidisciplinary career as a cultural preservationist, which resulted in her current role leading the twenty-seven museum spaces comprising North Carolina Historic Sites. She is an adjunct fellow at the Center for Documentary Studies at Duke University and director of The Harriet Jacobs Project.</p> <p><strong><small>colony little</small></strong> (she/her/hers) is the creator of Culture Shock Art, a site dedicated to the synergies among art, music, and design. Little writes to amplify the artistic voices of Black creators who are influenced by and create work in the American South. Writing credits include Artnet News, ARTnews, The Art Newspaper, ARTS.BLACK, <em>Carla</em>, Hyper-allergic, <em>W</em>, and <em>Walter</em>.</p> <p><strong><small>jessica lynne</small></strong> is a founding editor of ARTS.BLACK, an online journal of art criticism from Black perspectives; an associate editor at Momus; and host of the Harlem Is Everywhere podcast. Her writing has been featured in publications such as <em>Artforum, The Believer, Frieze, Los Angeles Times, The Nation</em>, and <em>Oxford American</em>.</p> <p><strong><small>lydia pelot-hobbs</small></strong> is an assistant professor of geography and African American &amp; Africana studies at the University of Kentucky. Her work focuses on the intersection of the carceral state, racial capitalism, and social movements in the US South. Her first book, <em>Prison Capital: Mass Incarceration and Struggles for Abolition Democracy in Louisiana</em>, is forthcoming from UNC Press.</p> <p><strong><small>johnica rivers</small></strong>, an interdisciplinary writer and curator, is particularly interested in the relationship between peripatetic ways of being and Black women's creative and intellectual practices. She is curator-at-large of The Harriet Jacobs Project, working to amplify the story of Harriet Jacobs and her footfalls through place-based art, editorial offerings, and gatherings.</p> <p><strong><small>jet toomer</small></strong> is a writer and community organizer. 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Abstract

In lieu of an abstract, here is a brief excerpt of the content:

  • Contributors

beatrice j. adams is an assistant professor of history at the College of Wooster. Her book-in-progress, We Might as Well Fight at Home, examines the experiences of African Americans who remained in and returned to the South during the Great Migration and the emergence of the New Great Migration.

kai lumumba barrow (she/her), a visual artist in New Orleans, creates paintings, installations, and sculptures that experiment with abolition and perform queer Black feminist theory. Barrow is a founding member of Gallery of the Streets, a national network of artists, activists, and scholars who work at the nexus of art, political education, social change, and community engagement.

diamond forde's debut collection, Mother Body, is the winner of the 2019 Saturnalia Poetry Prize. Forde has received a Pink Poetry Prize and a Furious Flower Poetry Prize, and she was a finalist for the 2022 Kate Tufts Discovery Award. Forde's work has appeared in Poetry, Obsidian, Massachusetts Review, and more.

sally greene is an independent scholar in Chapel Hill, NC. Her most recent publication is The Edward Tales (University Press of Mississippi, 2022), a collection of works by Elizabeth Spencer, for which she wrote a critical introduction. Southern Cultures published her essay "Judge Thomas Ruffin and the Shadows of Southern History."

alexis pauline gumbs is a queer Black feminist love evangelist and an aspirational cousin to all life. She is the author of several books, most recently the biography Survival Is a Promise: The Eternal Life of Audre Lorde. She lives and loves in Durham, NC.

letitia huckaby is an acclaimed photographer who explores Black American heritage, cultural traditions, and faith. Her work is included in the collections of the Library of Congress, the McNay Art Museum, and the Samella Lewis Contemporary Art Collection at Scripps College, among others. She is an assistant professor in the College of Visual Arts and Design at the University of North Texas.

jovonna jones is an assistant professor of African American literature and culture at Boston College, working at the intersections of Black aesthetics, Black feminist criticism, and the built environment. Her writing has been published in Aperture, Boston Art Review, Callaloo, Souls, Southern Cultures, and MCA Chicago. Her current project examines Black women's tenant organizing in Boston.

michelle lanier is a scholar, oral historian, geographer, filmmaker, museum professional, and folklorist. Her deep roots, in what she calls AfroCarolina, inspire her multidisciplinary career as a cultural preservationist, which resulted in her current role leading the twenty-seven museum spaces comprising North Carolina Historic Sites. She is an adjunct fellow at the Center for Documentary Studies at Duke University and director of The Harriet Jacobs Project.

colony little (she/her/hers) is the creator of Culture Shock Art, a site dedicated to the synergies among art, music, and design. Little writes to amplify the artistic voices of Black creators who are influenced by and create work in the American South. Writing credits include Artnet News, ARTnews, The Art Newspaper, ARTS.BLACK, Carla, Hyper-allergic, W, and Walter.

jessica lynne is a founding editor of ARTS.BLACK, an online journal of art criticism from Black perspectives; an associate editor at Momus; and host of the Harlem Is Everywhere podcast. Her writing has been featured in publications such as Artforum, The Believer, Frieze, Los Angeles Times, The Nation, and Oxford American.

lydia pelot-hobbs is an assistant professor of geography and African American & Africana studies at the University of Kentucky. Her work focuses on the intersection of the carceral state, racial capitalism, and social movements in the US South. Her first book, Prison Capital: Mass Incarceration and Struggles for Abolition Democracy in Louisiana, is forthcoming from UNC Press.

johnica rivers, an interdisciplinary writer and curator, is particularly interested in the relationship between peripatetic ways of being and Black women's creative and intellectual practices. She is curator-at-large of The Harriet Jacobs Project, working to amplify the story of Harriet Jacobs and her footfalls through place-based art, editorial offerings, and gatherings.

jet toomer is a writer and community organizer. A LAMBDA Literary Foundation Emerging Writing Literary Fellow, Toomer is cofounder of The Josie Club, a social club dedicated to celebrating queer...

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以下是内容的简要摘录,以代替摘要: 撰稿人 Beatrice J. Adams 是伍斯特学院的历史学助理教授。她正在撰写的新书《我们不如在家里战斗》(We Might as Well Fight at Home)探讨了大迁徙和新大迁徙出现期间留在和返回南方的非裔美国人的经历。巴罗是 "街头画廊"(Gallery of the Streets)的创始成员之一,这是一个由艺术家、活动家和学者组成的全国性网络,他们在艺术、政治教育、社会变革和社区参与等领域开展工作。 钻石-福德(Diamond Forde)的首部诗集《母亲的身体》(Mother Body)是2019年 "土星诗歌奖"(Saturnalia Poetry Prize)的获奖作品。福德曾获得粉红诗歌奖(Pink Poetry Prize)和怒花诗歌奖(Furious Flower Poetry Prize),并入围了 2022 年凯特-塔夫茨发现奖(Kate Tufts Discovery Award)的决赛。福德的作品曾发表在《诗刊》、《黑曜石》、《马萨诸塞评论》等刊物上。莎莉-格林是北卡罗来纳州教堂山的一名独立学者。她最近的出版物是《爱德华的故事》(The Edward Tales)(密西西比大学出版社,2022 年),这是一本伊丽莎白-斯宾塞的作品集,她为该作品集撰写了评论性导言。南方文化》(Southern Cultures)发表了她的论文《托马斯-拉芬法官和南方历史的阴影》。 Alexis Pauline gumbs 是一位同性恋黑人女权主义者的爱情布道者,也是所有生命的表亲。她著有多本书籍,最近的一本传记是《生存是一种承诺:奥德丽-罗德的永恒人生》(Survival Is a Promise: The Eternal Life of Audre Lorde)。Letitia Huckaby 是一位广受赞誉的摄影师,她致力于探索美国黑人遗产、文化传统和信仰。她的作品被美国国会图书馆、麦克内艺术博物馆、斯克里普斯学院萨梅拉-刘易斯当代艺术收藏馆等收藏。她是北德克萨斯大学视觉艺术与设计学院的助理教授。乔凡娜-琼斯是波士顿学院非裔美国人文学与文化助理教授,从事黑人美学、黑人女权主义批评和建筑环境的交叉研究。她的文章发表在《光圈》、《波士顿艺术评论》、《Callaloo》、《灵魂》、《南方文化》和《芝加哥 MCA》上。米歇尔-拉尼尔是一位学者、口述历史学家、地理学家、电影制片人、博物馆专业人士和民俗学家。她深深扎根于她所称的非洲卡罗莱纳州,这激发了她作为一名文化保护者的多学科职业生涯,并成就了她目前领导北卡罗来纳州历史遗址的 27 个博物馆空间的工作。她是杜克大学纪录片研究中心(Center for Documentary Studies at Duke University)的兼职研究员,也是哈丽特-雅各布斯项目(The Harriet Jacobs Project)的负责人。科罗尼-利特尔(她/她/她)是 "文化冲击艺术"(Culture Shock Art)网站的创建者,该网站致力于发挥艺术、音乐和设计之间的协同作用。利特尔的写作旨在放大受美国南方影响并在南方创作的黑人创作者的艺术声音。杰西卡-林恩(Jessica Lynne)是《ARTS.BLACK》的创始编辑,这是一本从黑人视角进行艺术评论的在线杂志;她还是 Momus 的副编辑,以及 Harlem Is Everywhere 播客的主持人。她的文章曾在《艺术论坛》、《信徒》、《Frieze》、《洛杉矶时报》、《国家》和《牛津美国人》等刊物上发表。她的研究重点是美国南方的监禁国家、种族资本主义和社会运动之间的交集。她的第一本书是《监狱资本》:约翰尼卡-里弗斯(Johnica River)是一位跨学科作家和策展人,她特别关注流浪生活方式与黑人女性的创意和知识实践之间的关系。她是《哈丽雅特-雅各布斯项目》(The Harriet Jacobs Project)的总策展人,致力于通过基于地方的艺术、编辑产品和集会来扩大哈丽雅特-雅各布斯的故事和她的足迹。作为 LAMBDA 文学基金会的新锐写作文学研究员,Toomer 是乔西俱乐部(The Josie Club)的创始人之一。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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期刊介绍: In the foreword to the first issue of the The Southern Literary Journal, published in November 1968, founding editors Louis D. Rubin, Jr. and C. Hugh Holman outlined the journal"s objectives: "To study the significant body of southern writing, to try to understand its relationship to the South, to attempt through it to understand an interesting and often vexing region of the American Union, and to do this, as far as possible, with good humor, critical tact, and objectivity--these are the perhaps impossible goals to which The Southern Literary Journal is committed." Since then The Southern Literary Journal has published hundreds of essays by scholars of southern literature examining the works of southern writers and the ongoing development of southern culture.
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